of course.” He held a tape measure to the wound while an assistant took photos. “Ten point two centimeters in width. Point six four centimeters in height.” A lab technician wrote with a special marker on a white wall. Later, the numbers would be transferred to a written autopsy report and the wall washed down. “What’d you say did this?”
“Forklift blade,” I told him.
Dr. Harper was one of the young ones, three years out of his residency in pathology, a guy who grew up not knowing whether he wanted to be a detective or a physician. Now he was both. He was of medium height and weight but with solid wrists and veined forearms. He had neatly parted dirty blond hair and wore latex gloves and a green smock. On a tray next to him, another deputy M.E. worked on the body of an enormous black woman killed in a head-on traffic accident on the Don Shula Expressway. He was whistling—it must have been the doc—the theme music from
Rocky
.
Dr. Harper went to work, grinning at the world, oblivious to his surroundings. After photos were taken of the entrance and exit wounds, he used a scalpel to make a Y incision in the chest. In one smooth motion, he sliced straight down the midline of the abdomen, then peeled the skin back, exposing a thick layer of yellow, fatty tissue and the rib cage beneath. Using what looked like your Saturday afternoon pruning shears, he cut through the cartilage of the ribs near the breastbone.
With quick, deft movements, he was inside the chest cavity, slicing away. He removed the heart and
plop
ped it into a scale. Three hundred grams, the technician wrote on the wall. The right lung was five hundred fifty grams; the left lung five twenty-five. In the abdomen, he inspected the wound track, and an assistant took more photos.
“A clean path through and through,” he said to nobody in particular. “Nicked the bottom rib, then a direct hit on the ascending colon, the right kidney, the duodenum, and then bingo, the inferior vena cava.”
Dr. Harper reached into the abdomen with what looked like a soup ladle. He scooped out several portions of blood and filled two plastic containers. “The rib cartilage and bone show marks consistent with a powerful and moderately sharp instrument.”
He started peeling out the large intestine, hand over hand, like a candy maker pulling salt-water taffy. At the same time, he kept up a running conversation. “I’ll drain some urine from the bladder and the vitreous humor from the eye to check for alcohol, but I can tell you right now, he’d been drinking, for what that’s worth.”
I asked him, “How can you—”
He pointed a bloodied glove toward his nose. His head disappeared into the open cavity. What had been a body now was an empty shell. No wonder they call them canoe makers. His voice was an echo from inside what used to be Vladimir Smorodinsky. “They say your buddy Doc Riggs could distinguish rye from bourbon. Don’t know what this is, but it’s booze. Want to check it out?”
I took his word for it.
He kept slicing and measuring, telling his technician there was evidence of a right retroperitoneal hematoma where the blade went through. The liver was enlarged and greasy, but still not cirrhotic. The coronary arteries showed some arteriosclerotic blockage, but “he didn’t die of a heart attack, sorry, Lassiter.”
I made some observations myself. The fingernails were missing. The crime lab was checking for skin and blood—Crespo’s—underneath the nails. They would find what they were looking for. There was recent bruising on Smorodinsky’s forearms. All in all, no surprises.
A nything else?” Judge Gold asked, glaring at the clock on the wall, if he could see that far.
Both Socolow and I shook our heads, and the judge shook his. “Motion denied. Jake, you got yourself a jury question here. Now, that doesn’t mean I won’t hear a motion for a directed verdict at the close of the state’s case, but that’s the way I see it
Cheyenne McCray
Jeanette Skutinik
Lisa Shearin
James Lincoln Collier
Ashley Pullo
B.A. Morton
Eden Bradley
Anne Blankman
David Horscroft
D Jordan Redhawk