couldnât have been anything but Irish .
The jukebox wasnât working. I walked over and asked him what was wrong with it. He said he didnât know. I asked him to have a drink and he ordered Coke. He told me his name was Pat. I told him I had come up recently from the Mexican border.
He said, âIâd like to get down that way, me. Bring some stuff in from Mexico.â
âThe border is pretty hot,â I said.
âI hope you wonât take offense at what I say,â he began, âbut you look like you use stuff yourself.â
âSure I use.â
âDo you want to score?â he asked. âIâm due to score in a few minutes. Iâve been trying to hustle the dough. If you buy me a cap, I can score for you.â
I said, âO.K.â
We walked around the corner past the NMU hall.
âWait here a minute,â he said, disappearing into a bar. I half-expected to get beat for my four dollars, but he was back in a few minutes. âO.K.,â he said, âI got it.â
I asked him to come back to my apartment to take a shot. We went back to my room, and I got out my outfit that hadnât been used in five months.
âIf you donât have a habit, youâd better go slow with this stuff,â he cautioned me. âItâs pretty strong.â
I measured out about two-thirds of a cap.
âHalf is plenty,â he said. âI tell you itâs strong.â
âThis will be all right,â I said. But as soon as I took the needle out of the vein, I knew it wasnât all right. I felt a soft blow in the heart. Patâs face began to get black around the edges, the blackness spreading to cover his face as though it were actually changing color . I could feel my eyes roll back in their sockets.
I came to several hours later. Pat was gone. I was lying on the bed with my collar loosened. I stood up and fell to my knees. I was dizzy and my head ached. Ten dollars were missing from my watch-pocket. I guess he figured I wasnât going to need it any more.
Several days later I met Pat in the same bar.
âHoly Jesus,â he said, âI thought you was dying! I loosened your collar and rubbed ice on your neck. You turned all blue. So I says, âHoly Jesus, this man is dying! Iâm going to get out of here, me! â â
A week later, I was hooked. I asked Pat about the possibilities of pushing in New Orleans.
âThe town is et up with pigeons,â he said. âItâs really tough.â
â¢
So I drifted along, scoring through Pat. I stopped drinking, stopped going out at night, and fell into a routine schedule: a cap of junk three times per day, and the time in between to be filled somehow. Mostly, I spent my time painting and working around the house. Manual work makes the time pass fast. Of course, it often took me a long time to score.
When I first hit New Orleans, the main pusherâor âthe Man,â as they say thereâwas a character called Yellow. Yellow was so named because his complexion was yellow and liverish-looking. He was a thin little man with a dragging limp. He operated out of a bar near the NMU hall and occasionally choked down a beer to justify sitting in the bar several hours a day. He was out on bail at the time, and when his case came to trial he drew two years.
A period of confusion followed, during which it was difficult to find a score. Sometimes I spent six or eight hours riding around in the car with Pat, waiting and looking for different people who might be holding. Finally, Pat ran into a wholesale connection, a dollar-fifty per cap, no less than twenty. This connection was Bob Brandon, one of the few pushers I ever knew who didnât use the stuff himself.
Pat and I began pushing in a small way, just enough to keep up our habits. We only took care of people that Pat knew well and was sure of. Dupré was our best customer. He was a dealer in a gambling joint and
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