Journeys on the Silk Road

Journeys on the Silk Road by Joyce Morgan Page B

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Authors: Joyce Morgan
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Desert near Dunhuang, a cliff about a mile long rises from a river valley. Beyond the cliff, sand dunes roll like ocean waves. In certain winds, these dunes were said to emit eerie music that inspired their name: the Ming Sha, or Singing Sands. But it was a vision, not a sound, that shaped history here, and it occurred more than 1,500 years before Stein’s caravan arrived.
    Legend has it that in AD 366, a wandering Buddhist monk named Lezun sat on the valley floor to rest from his travels across forests and plains. As he admired the sunset on Sanwei Mountain, he beheld a vision of a thousand Buddhas. Celestial nymphs danced in the rays of golden light, and Lezun watched the glorious scene until the dusk turned to dark. The monk, described as resolute, calm, and of pure conduct, was so inspired that the next day he set down his pilgrim’s staff and abandoned plans to cross the Gobi. Instead, he chiseled a meditation cave into the cliff. The following day he mixed mud and smoothed the walls of his tiny shelter. And on his third day, he painted a mural on the wall to record the wondrous vision he had witnessed.
    Lezun then visited Dunhuang to share his discovery, and the news quickly spread to the surrounding provinces, according to one folk tale. Similarly inspired, others joined him and honeycombed the conglomerate cliff with an estimated 1,000 hand-carved caves. The first caves were small, spartan cells, just big enough for a solitary monk. But as the religious community grew, elaborate grottoes were carved as chapels and shrines. Some were large enough for a hundred worshippers to gather. Murals in lapis, turquoise, and malachite covered the walls and ceilings in many of the caves. Nearly half a million square feet of magnificent murals were created. The wall paintings give an unparalleled picture of a thousand years of life along the Silk Road.
    The location would eventually become known in China and beyond as a place of unrivalled beauty, sanctity, and knowledge. Although the monk Lezun is credited with founding the Caves of the Thousand Buddhas, or Mogao Caves as they are known today, he is but one of four men who have shaped their history through the centuries. The story of the Silk Road’s most sacred site is inextricably bound with clandestine journeys, wandering monks, and intrepid travelers.
    Why a sacred center flourished in such a remote place is simple. The reason is geography. Near Dunhuang, the Silk Road split in two to skirt the rim of the Taklamakan Desert. The roads met again 1,400 miles west at Kashgar. But between these two oases lay the Silk Road’s most dangerous terrain. Among the threats were starvation, thirst, bandits, and ferocious sandstorms that were known to bury entire caravans. For those traveling west, Dunhuang was the last stop for caravans to rest and stock up before they faced the desert. For those heading east, it was the first oasis on Chinese soil. Any traveler would want to express gratitude for surviving such a journey or pray for safe deliverance before embarking, so it is little wonder that as long as the Silk Road thrived, the caves did too. Wealthy merchants and other patrons paid for the grottoes to be created and decorated as acts of thanksgiving. Dunhuang—the name means Blazing Beacon and refers to the nearby line of military watchtowers that guarded the area—might have begun as a dusty military garrison town, but it became a prosperous, cosmopolitan center, the Silk Road’s great beacon of spiritual illumination.
    The Silk Road, or roads really, was a network of trade routes that linked China with the West. From its eastern end in the ancient Chinese capital of Chang’an, now Xian, the route passed through Dunhuang before branching south to India, present-day Afghanistan and Pakistan, or west to Samarkand, Bokhara, Persia, and the eastern Mediterranean. For about a thousand years, caravans of camels loaded with silk, rubies, jade, amber, musk, and far more halted at

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