finally ran out on some drunk shoe salesman smoking in bed. All gone, Richieâjust like the glasses Henry Bowers always used to rag you about. Whatâs that Springsteen song say? Glory days . . . gone in the wink of a young girlâs eye. What young girl? Why, Bev, of course. Bev . . .
Changed the Town House might be, but gone it apparently was not, because a blank, robotic voice now came on the line and said: âThe . . . number . . . is . . . 9 . . . 4 . . . 1 . . . 8 . . . 2 . . . 8 . . . 2. Repeat: . . . the . . . number . . . is . . .â
But Rich had gotten it the first time. It was a pleasure to hang up on that droning voiceâit was too easy to imagine some great globular Directory Assistance monster buried somewhere in the earth,sweating rivets and holding thousands of telephones in thousands of jointed chromium tentaclesâthe Ma Bell version of Spideyâs nemesis, Dr. Octopus. Each year the world Rich lived in felt more and more like a huge electronic haunted house in which digital ghosts and frightened human beings lived in uneasy coexistence.
Still standing. To paraphrase Paul Simon, still standing after all these years.
He dialed the hotel he had last seen through the horn-rimmed spectacles of his childhood. Dialing that number, 1-207-941-8282, was fatally easy. He held the telephone to his ear, looking out his studyâs wide picture window. The surfers were gone; a couple was walking slowly up the beach, hand in hand, where they had been. The couple could have been a poster on the wall of the travel agency where Carol Feeny worked, that was how perfect they were. Except, that was, for the fact they were both wearing glasses.
Gonna getcha, fuckface! Gonna break your glasses!
Criss, his mind sent up abruptly. His last name was Criss. Victor Criss.
Oh Christ, that was nothing he wanted to know, not at this late date, but it didnât seem to matter in the slightest. Something was happening down there in the vaults, down there where Rich Tozier kept his own personal collection of Golden Oldies. Doors were opening.
Only theyâre not records down there, are they? Down there youâre not Rich âRecordsâ Tozier, hot-shot KLAD deejay and the Man of a Thousand Voices, are you? And those things that are opening . . . they arenât exactly doors, are they?
He tried to shake these thoughts off.
Thing to remember is that Iâm okay. Iâm okay, youâre okay, Rich Tozierâs okay. Could use a cigarette, is all.
He had quit four years ago but he could use one now, all right.
Theyâre not records but dead bodies. You buried them deep but now thereâs some kind of crazy earthquake going on and the ground is spitting them up to the surface. Youâre not Rich âRecordsâ Tozier down there; down there youâre just Richie âFour-Eyesâ Tozier and youâre with your buddies and youâre so scared it feels like your balls are turning into Welchâs grape jelly. Those arenât doors, and theyâre not opening. Those are crypts, Richie. Theyâre cracking open and the vampires you thought were dead are all flying out again.
A cigarette, just one. Even a Carlton would do, for Christâs sweet sake.
Gonna getcha, four-eyes! Gonna make you EAT that fuckin bookbag!
âTown House,â a male voice with a Yankee tang said; it had travelled all the way across New England, the Midwest, and under the casinos of Las Vegas to reach his ear.
Rich asked the voice if he could reserve a suite of rooms at the Town House, beginning tomorrow. The voice told him he could, and then asked him for how long.
âI canât say. Iâve gotââ He paused briefly, minutely.
What did he have, exactly? In his mindâs eye he saw a boy with a tartan bookbag running from the
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