through the window had pulled most of the framing out of the wall as well.
But Iâd known the killer was strong. He had, after all, ripped off a manâs head.
I left the window to explore the rest of the room more closely. Despite the apparent mess, there wasnât much to look at: three card tables and eleven folding chairsâI glanced at the window and thought that a folding chair, thrown very hard, might break through a window like that.
A metal machine that looked oddly familiar had left a dent in the wall before landing on the ground. I pawed it over and realized it was an old-fashioned mail meter. Someone had been sending out bulk mail from here.
I put my nose down and started to pay attention to what it had been trying to tell me. First, this room was more public than the kitchen or first bedroom, more like the back door and hallway had been.
Most houses have a base scent, mostly a combination of preferred cleaning supplies (or lack thereof ) and the body scents of the family who live in it. This room smelled different from the rest of the house. There had beenâI looked again at the scattering of chairsâmaybe as many as ten or twelve people who came to this room often enough to leave more than a surface scent.
This was good, I thought. Given the way OâDonnell had rubbed me wrongâanyone who knew him was likely to have murdered him. HoweverâI took another look at the windowâthere hadnât been a fae or any other magical critter in the bunch that I could tell. No human had taken out the window that wayâor torn off OâDonnellâs head either.
I memorized their scents anyway.
Iâd done what I could with this roomâwhich left me with only one more. Iâd left the living room for last for two reasons. First, if someone were to see me, it would be where the big picture window looked out onto the street in front of the house. Second, even a humanâs nose could have told them that the living room was where OâDonnell had been killed and I was growing tired of blood and gore.
I think it was dread of what Iâd find in the living room that made me look back into the bedroom, rather than any instinct that I might have missed something.
A coyote, at least this coyote, stands just under two feet at the shoulder. I think thatâs why I never thought to look up at the pictures on the wall. Iâd thought they were only posters; they were the right size and shape, with matching cheap Plexiglas and black plastic frames. The room was dark, too, darker than the kitchen because the moon was on the other side of the house. But from the doorway I got a good look at the framed pictures.
They were indeed posters, very interesting posters for a security guard who worked for the BFA.
The first showed a child dressed in a fluffy Easter Sunday dress sitting on a marble bench in a gardenlike setting. Her hair was pale and curly. She was looking at the flower in her hand. Her face was round with a button nose and rosebud lips. Bold letters across the top of the poster said: PROTECT THE CHILDREN . Across the bottom, in smaller letters, the poster announced that Citizens for a Bright Future was holding a meeting the November eighteenth of two years ago.
Like the John Lauren Society, Bright Future was an anti-fae group. It was a lot smaller organization than the JLS and catered to a different income bracket. Members of the JLS tended to be like Ms. Ryan, the relatively wealthy and educated. The JLS held banquets and golf tournaments to raise money. Bright Future held rallies that mostly resembled the old-fashioned tent revival meetings where the faithful would be entertained and preached at, then passed a hat.
The other posters were similar to the first, though the dates were different. Three of them were for meetings held in the Tri-Cities, but one was in Spokane. They were slick, and professionally laid out. Stock posters, I thought, printed at the
L. E. Modesitt Jr.
Tymber Dalton
Miriam Minger
Brittney Cohen-Schlesinger
Joanne Pence
William R. Forstchen
Roxanne St. Claire
Dinah Jefferies
Pat Conroy
Viveca Sten