In Cold Blood

In Cold Blood by Truman Capote Page B

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Authors: Truman Capote
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another one down here.’ So we followed him down to the basement. Or playroom, I guess you’d call it. It wasn’t dark—there were windows that let in plenty of light. Kenyon was over in a corner, lying on a couch. He was gagged with adhesive tape and bound hand and foot, like the mother—the same intricate process of the cord leading from the hands to the feet, and finally tied to an arm of the couch. Somehow he haunts me the most, Kenyon does. I think it’s because he was the most recognizable, the one that looked the most like himself—even though he’d been shot in the face, directly, head-on. He was wearing a T-shirt and blue jeans, and he was barefoot—as though he’d dressed in a hurry, just put on the first thing that came to hand. His head was propped by a couple of pillows, like they’d been stuffed under him to make an easier target.
    “Then the sheriff said, ‘Where’s this go to?’ Meaning another door there in the basement. Sheriff led the way, but inside you couldn’t see your hand until Mr. Ewalt found the light switch. It was a furnace room, and very warm. Around here, people just install a gas furnace and pump the gas smack out of the ground. Doesn’t cost them a nickel—that’s why all the houses are overheated. Well, I took one look at Mr. Clutter, and it was hard to look again. I knew plain shooting couldn’t account for that much blood. And I wasn’t wrong. He’d been shot, all right, the same as Kenyon—with the gun held right in front of his face. But probably he was dead before he was shot. Or, anyway, dying. Because his throat had been cut, too. He was wearing striped pajamas—nothing else. His mouth was taped; the tape had been wound plumb around his head. His ankles were tied together, but not his hands—or, rather, he’d managed, God knows how, maybe in rage or pain, to break the cord binding his hands. He was sprawled in front of the furnace. On a big cardboard box that looked as though it had been laid there specially. A mattress box. Sheriff said, ‘Look here, Wendle.’ What he was pointing at was a bloodstained footprint. On the mattress box. A half-sole footprint with circles—two holes in the center like a pair of eyes. Then one of us—Mr. Ewalt? I don’t recall—pointed out something else. A thing I can’t get out of my mind. There was a steampipe overhead, and knotted to it, dangling from it, was a piece of cord—the kind of cord the killer had used. Obviously, at some point Mr. Clutter had been tied there, strung up by his hands, and then cut down. But why? To torture him? I don’t guess we’ll ever know. Ever know who did it, or why, or what went on in that house that night.
    “After a bit, the house began to fill up. Ambulances arrived, and the coroner, and the Methodist minister, a police photographer, state troopers, fellows from the radio and the newspaper. Oh, a bunch. Most of them had been called out of church, and acted as though they were still there. Very quiet. Whispery. It was like nobody could believe it. A state trooper asked me did I have any official business there, and said if not, then I’d better leave. Outside, on the lawn, I saw the undersheriff talking to a man—Alfred Stoecklein, the hired man. Seems Stoecklein lived not a hundred yards from the Clutter house, with nothing between his place and theirs except a barn. But he was saying as to how he hadn’t heard a sound—said, ‘I didn’t know a thing about it till five minutes ago, when one of my kids come running in and told us the sheriff was here. The Missis and me, we didn’t sleep two hours last night, was up and down the whole time, on account of we got a sick baby. But the only thing we heard, about ten-thirty, quarter to eleven, I heard a car drive away, and I made the remark to Missis, “There goes Bob Rupp.” ‘I started walking home, and on the way, about halfway down the lane, I saw Kenyon’s old collie, and that dog was scared. Stood there with its tail

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