still sheâs curious. From the other side, her touch, female. Tender even. The way an oncologist touches a cancerous tumor, or maybe in the zoo the way you see on TV a baby tiger playing with a monkey. The candlelight on the smooth brown skin of her arms, her gold bracelets. The sound of gold against gold.
âMy buddy Gruneyâs really something,â Hank says, âisnât he?â
Olgaâs right hand grasps my hand solid. Across the table, Olgaâs left hand is solid in Hankâs too.
âIâd love to read your cards sometime,â Olga says. âI donât know how to describe. Youâre like a feral.
â Feral? â Olga says. âIs that English?â
âLatinate,â Hank says.
âIs okay?â Olga says.
âSays it perfect,â Hank says.
âA feral child,â Olga says, âwho nobody ever listened to.â
ITâS A GOOD thing Iâve had two maargaareetas . Itâs a good thing a third was coming. All that attention would have made the normal ordinary Ben Grunewald go tilt. Made my toes curl up in my shoes, made my balls pull up, poked up my shoulders. Showing off again! Making a spectacle of yourself!
Hank takes hold of my right hand. His hand, only a way a man can touch. A touch that says he knows that men havenât really got a clue. Itâs only an attitude. But fuck it, we can play and not get caught the way women can. The red votive light on his thick wrist, his smooth forearm.
That moment is one of the big moments of my life. When everything comes together. I feel a way Iâve only dreamed of. Too high really to ever remember it well. Only a trace, a thin drunk thread of memory going back over the years to find that guy, me, who was sitting there at that table, who let himself be seen. The three of us, on the red leather, darkness and points of soft light hanging in the air around us, the votive candle in the center of the white round table, the red glow of glass, between our second and the third maargaareetas , Hankâs hand in Olgaâs, Olgaâs hand in mine, my hand in Hankâs.
Iâm about to make a joke, say something, anything, that will make the precious moment stop. I know I can do it. Move myshoulders, tilt my chin, laugh a little laugh. And Iâm just starting, just past the shoulders, and in the middle of the chin tilt, when:
âDonât deprecate,â Olga says.
âDeprecate?â I say.
âLatinate,â Hank says.
âYourself,â Olga says.
âYou must be careful,â Olga says, âof what you say in front of yourself.â
SOMETHING INSIDE ME, something ancient and infant, that hasnât looked out of me in a long time, looks out and over across the table at Olga. She is so perfectly doing that beautiful people looked-at look. Part of me wants to punch her, wants this all to stop, a big baby torpor, where is the fucking waiter with the tray of maargaareetas .
Then that looked-at look, I let it come out of me. Let my own beauty gaze back straight into hers.
Olga. Maybe itâs because itâs the first time Iâve seen Hank make his nod to hard liquor. Maybe itâs because Hankâs told me about Olgaâs Santeria, maybe itâs because sheâd asked to read my cards, maybe she is a witch, her beauty, maybe itâs her black eyes that make Hankâs look brown, maybe itâs the gold, all the gold on her. The sound of gold. Maybe itâs the three of us in a dark place hand in hand in hand around a flame. What scares me most is the secret I couldnât speak in Jeskeâs class. Can she see my shame? I watch Olgaâs red lips, ready for the brutal truth, but then she speaks.
âYouâve been with many women also,â Olga says.
Maybe Olgaâs been talking to Hank . Thing is though, Iâve only told Hank about Evie, my ex-wife.
Maybe itâs simply womenâs intuition. Or maybe what happens
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