the foot of the bed, and curled up and lay still, only her eyes moving as she watched Susan and me reintegrate our snuggle.
âPostcoital languor is more difficult with Pearl,â Susan said.
âBut not impossible,â I said.
âNothingâs impossible for us.â
I looked at the familiar form of the crown molding along the edge of Susanâs bedroom ceiling. On the dresser was a big color photograph of Susan and me, taken fifteen years ago on a balcony in Paris, not long after she had come back from wherever the hell she had been. We looked pretty happy.
âWe were pretty happy in that picture,â I said.
âWe had reason to be.â
âYes.â
âWe still do.â
âYes.â
âWould you be happier now if Mr. Clive hadnât been killed in Georgia?â
âYes.â
âEven though you were not responsible for him getting killed, nor could you have been expected to prevent it?â
âYes.â
âSend not therefore asking for whom the bell tolls,â Susan said.
âWell, sometimes,â I said, âit actually does toll for thee.â
âI know.â
âOn the other hand,â I said, âwe do what we can, not what we ought to.â
âI know.â
âAnd you canât win âem all,â I said.
âTrue.â
âAnd all that glitters is not gold,â I said.
âAnd a bird in the hand is worth two in the bush,â Susan said.
âI always thought that saying was sort of backwards,â I said.
I couldnât see her face: it was too close to my neck. But I could feel her smile.
âWell-bred Jewesses from Swampscott, Massachusetts,â she said, âdo not lie naked in bed and talk about bushes.â
âWhere did you go wrong?â I said.
âI donât know, but isnât it good that I did?â
At the foot of the bed, Pearl lapped one of her forepaws noisily. Susan rubbed my chest lightly with her right hand.
âIs there anything you can do to clean that up in Georgia?â she said.
âNo one wants me to,â I said.
âWhen has that ever made a difference to you?â Susan said.
âI have no client,â I said. âNo standing in the case.â
âYou think it was the person shooting the horses?â
âReasonable guess,â I said. âI had no clue who was doing that, and no clue really about where to go next.â
âAnd?â
âAnd,â I said, âIâve been away from you about as long as I can stand.â
âGood.â
âSo Iâm going to put this one in the loss column and start thinking about the next game.â
âWise,â Susan said.
âAfter all,â I said, âa bush in the hand . . .â
âNever mind,â Susan said.
TWENTY-TWO
----
I T WAS M ONDAY morning, bright, still early June and not very hot. I was in my office, drinking coffee and reading the paper while I waited for business. Iâd drunk my allotment of coffee, and read the paper, and put it away before any showed up, but when it came it was interesting. A woman came into my office, briskly, as if offices were designed for her to walk into. I began to stand up. She indicated there was no need to, but by that time I was on my feet anyway.
âIâm Valerie Hatch,â she said, and put out her hand. âYouâre Spenser.â
âRight on both counts,â I said, and shook her hand.
âOwen Brooks suggested I might speak to you about my situation. You know Owen?â
âYes.â
Owen Brooks was, improbably, the district attorney of Suffolk County. He was black, Harvard-educated, smart, humorous, pleasant, tolerant, and tougher than a Kevlargumdrop. In a political office, he seemed primarily concerned with the successful prosecution of criminals.
âHe said this was a circumstance that might best be dealt with informally, that is to say, by
Margaret Maron
Richard S. Tuttle
London Casey, Ana W. Fawkes
Walter Dean Myers
Mario Giordano
Talia Vance
Geraldine Brooks
Jack Skillingstead
Anne Kane
Kinsley Gibb