Hollywood Nocturnes by James Ellroy Page A

ridiculous play for a solo white man. Parking on an elm-lined street, I watched Japanese gardeners tend football field--sized lawns and started to sense that Wild Wallace's affinity for High Darktown and white partners was the lever I needed. I set out to trawl for pale-skinned intruders like myself.

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              South on La Brea to Jefferson, then up to Western and back over to Adams. Runs down 1st Avenue, 2nd Avenue, 3rd, 4th, and 5th. The only white men I saw were other cops, mailmen, store owners, and poontang prowlers. A circuit of the bars on Washington yielded no white faces and no known criminal types I could shake down for information.
      Dusk found me hungry, angry, and still itchy, imagining Simpkins poking pins in a brand-new, plainclothes Blanchard doll. I stopped at a barbecue joint and wolfed down a beef sandwich, slaw, and fries. I was on my second cup of coffee when the mixed couple came in.
      The girl was a pretty high yellow--soft angularity in a pink summer dress that tried to downplay her curves, and failed. The man was squat and muscular, wearing a rumpled Hawaiian shirt and pressed khaki trousers that looked like army issue. From my table I heard them place their order: jumbo chicken dinners for six with extra gravy and biscuits. "Lots of big appetites," the guy said to the counterman. When the line got him a deadpan, he goosed the girl with his knee. She moved away, clenching her fists and twisting her head as if trying to avoid an unwanted kiss. Catching her face full view, I saw loathing etched into every feature.
      They registered as trouble, and I walked out to my car in order to tail them when they left the restaurant. Five minutes later they appeared, the girl walking ahead, the man a few paces behind her, tracing hourglass figures in the air and flicking his tongue like a lizard. They got into a prewar Packard sedan parked in front of me, Lizard Man taking the wheel. When they accelerated, I counted to ten and pursued.
      The Packard was an easy surveillance. It had a long radio antenna topped with a foxtail, so I was able to remain several car lengths in back and use the tail as a sighting device. We moved out of High Darktown on Western, and within minutes mansions and proudly tended homes were replaced by tenements and tar-paper shacks encircled by chicken wire. The farther south we drove the worse it got; when the Packard hung a left on 94th and headed east, past auto graveyards, storefront voodoo mosques and hairstraightening parlors, it felt like entering White Man's Hell.
      At 94th and Normandie, the Packard pulled to the curb and parked; I continued on to the corner. From my rearview I watched Lizard Man and the girl cross the street and enter the only decent-looking house on the block, a whitewashed adobe job shaped like a miniature Alamo. Parking myself, I grabbed a flashlight from under the seat and walked over.
      Right away I could tell the scene was way off. The block was nothing but welfare cribs, vacant lots, and gutted jalopies, but six beautiful '40--'41 vintage cars were stationed at curbside. Hunkering down, I flashed my light at their license plates, memorized the numbers, and ran back to my unmarked cruiser. Whispering hoarsely into the two-way, I gave R&I the figures and settled back to await the readout.
      I got the kickback ten minutes later, and the scene went from way off to way, _way_ off.
      Cupping the radio mike to my ear and clamping my spare hand over it to hold the noise down, I took in the clerk's spiel. The Packard was registered to Leotis McCarver, male negro, age 41, of 1348 West 94th Street, L.A.--which had to be the cut-rate Alamo. His occupation was on file as union officer in the Brotherhood of Sleeping Car Porters. The other vehicles were registered to negro and white thugs with strong-arm convictions dating back to 1922. When the clerk read off the last name-- Ralph "Big Tuna" De Santis, a known Mickey Cohen