now: THE VANDALIZED KITCHEN IN ARLENE TRESCOTTâS APARTMENT, DOWNTOWN BALTIMORE. 1982. Not a farmhouse after all, I thought, turning to the table of contents. The book was divided into three sections. The first detailed each of my parentsâ childhoods and their early years together. The second consisted entirely of case studies, including only the briefest mention of Abigail Lynch. The final section was titled simply: âShould You Really Believe the Masons?â
Their childhoodsâthose were the chapters I turned to first, since what details I knew of their lives before me were fuzzy. I knew my father grew up in Philadelphia, and that my grandparents owned a movie theater with a candy store in the front. But I didnât know that at age nine, he reported his first paranormal experience when he saw âa globule of energy among the seatsâ while sweeping that theater. When he told his mother and father, they laughed and suggested that his âglobuleâ was probably a couple who stayed after the movie to kiss. Over dinners, my grandparents and their friend, Lloyd, who helped run the theater, coaxed my father into telling the story. When he described the lightless mass that shifted and reshaped in the shadows among the seats, the room exploded with laughter, filling my father with shame. For that reason, he quit mentioning the globules, even as they began to appear with increasing frequency.
Maybe it was all the cavity-inducing sweets from the candy shop that gave him the idea to become a dentist. Maybe it was all the teasing and those persistent sightings that made him want to study away from home. Whatever his reasons, despite the fact that there were perfectly good dental schools in Philly, my father applied to the University of Maryland. Moving into an apartment in one of the old Pascault row houses for students, he reported a newfound sense of freedom, having left his family behind. But he soon discovered that not everything had been left behind.
The ghostsâas he began calling them, plain and simpleâhad followed.
At this point in the chapter, Heekin broke from his own tangled writing and allowed my father to describe the moment, referencing a quote from a lecture he gave to the New England Society for Paranormal Research. Reading my fatherâs words reminded me that when he spoke of the things he encountered, I felt no tug-of-war between believing and not believing. I simply believed.
Not far from my bed in the dim light of that apartment stood a figure no more than four feet tall. Before that night, the things Iâd seen had been shapeless, shifting masses. Their lack of a fixed form is what led me to refer to them as globules from an early age. But this figure was different: its body looked like that of a dressmakerâs dummy. No arms, but also no sliver of light between its legs, so it seemed to be wearing a dress. Although there were no eyes, no nose, no mouth to gauge her emotions, I sensed that she was studying me with great curiosity and need before she vanished . . . Just as some people forever attract stray animals, others tend to draw out the humming, peripatetic energies in this world. After that experience, I realized I was in the latter category . . .
My mother reported no such paranormal experiences growing up in a tiny mountain town of Tennessee. Heekin said that her father had died in an accident on the farm, one she witnessed at the age of eleven, and the mere mention of it forever held the power to bring her to tears. He persuaded my mother into offering a description of the man: gentle, soft-spoken, scrupulous, devout. He took their small family of three to church each Sunday and to breakfast afterward. He built birdhouses in his woodshed and allowed my mother to paint them whatever colors she wanted before nailing them up in the trees. With binoculars, they watched from the second-floor windows as families of birds came and went with
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