ground. At first Vernon’s mind was a chaos of backlogs, shortfalls, restructured schedules, recuperation schemes. Later he grew far more detached about the whole business. Who said he had to do it three and a half times a week? Who said that this was all right? After ten nights of chaste sleep (his record up till now) Vernon watched his wife turn sadly on her side after her diffident goodnight. He waited several minutes, propped up on an elbow, glazedly eternalized in the potent moment. Then he leaned forward and coldly kissed her neck, and smiled as he felt her body’s axis turn. He went on smiling. He knew where the real action was.
For Vernon was now perfectly well aware that any woman was his for the taking, any woman at all, at a nod, at a shrug, at a single convulsive snap of his peremptory fingers. He systematically serviced every woman who caught his eye in the street, had his way with them, and tossed them aside without a second thought. All the models in his wife’s fashion magazines—they all trooped through his bedroom, too, in their turn. Over the course of several months he worked his way through all the established television actresses. An equivalent period took care of the major stars of the Hollywood screen. (Vernon bought a big glossy book to help him with this project. For his money, the girls of the Golden Age were the most daring and athletic lovers: Monroe, Russell, West, Dietrich, Dors, Ekberg. Frankly, you could keep your Welches, your Dunaways, your Fondas, your Keatons.) By now the roll call of names was astounding, Vernon’s prowess with them epic, unsurpassable. All the girls were saying that he was easily the best lover they had ever had.
One afternoon he gingerly peered into the pornographic magazines that blazed from the shelves of a remote newsagent. He made a mental note of the faces and figures, and the girls were duly accorded brief membership of Vernon’s thronging harem. But he was shocked; he didn’t mind admitting it: why should pretty young girls take their clothes off for money like that—like that? Why should men want to buy pictures of them doing it? Distressed and not a little confused, Vernon conducted the first great purge of his clamorous rumpus rooms. That night he paced through the shimmering corridors and becalmed anterooms dusting his palms and looking sternly this way and that. Some girls wept openly at the loss of their friends; others smiled up at him with furtive triumph. But he stalked on, slamming the heavy doors behind him.
Vernon now looked for solace in the pages of great literature. Quality, he told himself, was what he was after—quality, quality. Here was where the high-class girls hung out. Using the fiction and poetry shelves in the depleted local library, Vernon got down to work. After quick flings with Emily, Griselda, and Criseyde, and a strapping weekend with the Good Wife of Bath, Vernon cruised straight on to Shakespeare and the delightfully wide-eyed starlets of the romantic comedies. He romped giggling with Viola over the Illyrian hills, slept in a glade in Arden with the willowy Rosalind, bathed nude with Miranda in a turquoise lagoon. In a single disdainful morning he splashed his way through all four of the tragic heroines: cold Cordelia (this was a bit of a frost, actually), bittersweet Ophelia (again rather constricted, though he quite liked her dirty talk), the snake-eyed Lady M. (Vernon had had to watch himself there), and, best of all, that sizzling sorceress Desdemona (Othello had her number all right. She stank of sex). Following some arduous, unhygienic yet relatively brief dalliance with Restoration drama, Vernon soldiered on through the prudent matrons of the Great Tradition. As a rule, the more sedate and respectable the girls, the nastier and more complicated were the things Vernon found himself wanting to do to them (with lapsed hussies like Maria Bertram, Becky Sharp, or Lady Dedlock, Vernon was in, out, and away, darting
For Vernon was now perfectly well aware that any woman was his for the taking, any woman at all, at a nod, at a shrug, at a single convulsive snap of his peremptory fingers. He systematically serviced every woman who caught his eye in the street, had his way with them, and tossed them aside without a second thought. All the models in his wife’s fashion magazines—they all trooped through his bedroom, too, in their turn. Over the course of several months he worked his way through all the established television actresses. An equivalent period took care of the major stars of the Hollywood screen. (Vernon bought a big glossy book to help him with this project. For his money, the girls of the Golden Age were the most daring and athletic lovers: Monroe, Russell, West, Dietrich, Dors, Ekberg. Frankly, you could keep your Welches, your Dunaways, your Fondas, your Keatons.) By now the roll call of names was astounding, Vernon’s prowess with them epic, unsurpassable. All the girls were saying that he was easily the best lover they had ever had.
One afternoon he gingerly peered into the pornographic magazines that blazed from the shelves of a remote newsagent. He made a mental note of the faces and figures, and the girls were duly accorded brief membership of Vernon’s thronging harem. But he was shocked; he didn’t mind admitting it: why should pretty young girls take their clothes off for money like that—like that? Why should men want to buy pictures of them doing it? Distressed and not a little confused, Vernon conducted the first great purge of his clamorous rumpus rooms. That night he paced through the shimmering corridors and becalmed anterooms dusting his palms and looking sternly this way and that. Some girls wept openly at the loss of their friends; others smiled up at him with furtive triumph. But he stalked on, slamming the heavy doors behind him.
Vernon now looked for solace in the pages of great literature. Quality, he told himself, was what he was after—quality, quality. Here was where the high-class girls hung out. Using the fiction and poetry shelves in the depleted local library, Vernon got down to work. After quick flings with Emily, Griselda, and Criseyde, and a strapping weekend with the Good Wife of Bath, Vernon cruised straight on to Shakespeare and the delightfully wide-eyed starlets of the romantic comedies. He romped giggling with Viola over the Illyrian hills, slept in a glade in Arden with the willowy Rosalind, bathed nude with Miranda in a turquoise lagoon. In a single disdainful morning he splashed his way through all four of the tragic heroines: cold Cordelia (this was a bit of a frost, actually), bittersweet Ophelia (again rather constricted, though he quite liked her dirty talk), the snake-eyed Lady M. (Vernon had had to watch himself there), and, best of all, that sizzling sorceress Desdemona (Othello had her number all right. She stank of sex). Following some arduous, unhygienic yet relatively brief dalliance with Restoration drama, Vernon soldiered on through the prudent matrons of the Great Tradition. As a rule, the more sedate and respectable the girls, the nastier and more complicated were the things Vernon found himself wanting to do to them (with lapsed hussies like Maria Bertram, Becky Sharp, or Lady Dedlock, Vernon was in, out, and away, darting
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