then going away. None ofthem addressed him, but one was bold enough to offer him his tobacco and papers, which Charging Elk took. He rolled a cigarette, accepted a light, then nodded at the man, and the man shrugged and almost smiled as he left. A moment later, Charging Elk could hear much shouting and laughter in the passageway outside the room.
As he smoked, Charging Elk looked at the table before him, with its neat stacks of papers and a jar filled with writing instruments. On the wall behind the table, he saw a photograph of a white-bearded man in a dark suit with a sash draped over one shoulder and thought he must be the boss of these police. He studied the three-colored flag which hung from a pole in the corner. He knew it was the flag of France. During the grand entry to begin the daily Buffalo Bill shows, soldiers carried it along with the American flag. Then after the troupe circled the arena a few times on their horses, the Cowboy Band would play the power songs of the two countries and the audiences would rise and put their hands over their hearts. Charging Elk had grown to like these songs because afterward the crowds would cheer and clap their hands. Then they would be ready for the Wild West show. And the Indians would be ready to accommodate them. Wearing only breechcloths and moccasins and headdresses, they chased the buffalo, then the Deadwood stage, attempted to burn down a settlerâs cabin, performed a scalp dance, and charged the 7th Cavalry at the Greasy Grass. Buffalo Bill always rescued the wadichud âthe settlers, the women and children, the people who rode in the stagecoachâfrom the Indians, but he couldnât rescue the longknives. They died every time before Buffalo Bill got there. And when he came on the scene of the dead bodies, he took off his hat and hung his head and his horse bowed. By then, the warriors were behind the long canvas backdrop, which was painted with rolling yellow hills and the many lodges beside the wooded river. They were hidden from the audience and so they smoked and drank water and told jokes.
It had been good in Paris. The days had been too hot sometimes, but the women were handsome, and there was much excitement all the time. Except for a few bouts of longing for the peaceful seclusion of the Stronghold, Charging Elk had enjoyed the whole experience. He had even come to know and make friends with some of the reservation Indians, who didnât seem so weak after all. And after all the daily riding, they could sit a galloping horse almost as well as Charging Elk. But he still took the most chances, counting coup on the buffaloes, taking a fall from his horse after being âshotâ with more vigor, fighting hand to hand with the soldiers with more spirit. He took pride in his performances, sometimes too much pride, and the others, led by Featherman, would tease him without mercy, calling him a black Indian because of his dark color, or a scabby tatanka because he lived in the badlands like an old bull. They played jokes on him, putting scratchy grass in his sleeping robe or the strong sand that goes on meat in his pejuta dapa .
Charging Elk smiled for a moment as he recalled the jokes, but the reality of where he was abruptly jarred his consciousness. Except for the table and the chair Charging Elk sat upon, there was one other chair and a tall box with many drawers in a corner. The single yellow wire in its glass globe and a window which looked out into the corridor provided a harsh light but the corners of the room were shadowed. He had been sitting in the chair, almost without moving, for two hours and now he had to piss. He had not seen the akecita who had brought him here since their arrival.
The tobacco he had smoked had made him dizzy and his guts were rumbling because he had not eaten for many hours. He closed his eyes and made himself think again of Paris and he saw the young woman who had come to look at the Indians in the village. That
As he smoked, Charging Elk looked at the table before him, with its neat stacks of papers and a jar filled with writing instruments. On the wall behind the table, he saw a photograph of a white-bearded man in a dark suit with a sash draped over one shoulder and thought he must be the boss of these police. He studied the three-colored flag which hung from a pole in the corner. He knew it was the flag of France. During the grand entry to begin the daily Buffalo Bill shows, soldiers carried it along with the American flag. Then after the troupe circled the arena a few times on their horses, the Cowboy Band would play the power songs of the two countries and the audiences would rise and put their hands over their hearts. Charging Elk had grown to like these songs because afterward the crowds would cheer and clap their hands. Then they would be ready for the Wild West show. And the Indians would be ready to accommodate them. Wearing only breechcloths and moccasins and headdresses, they chased the buffalo, then the Deadwood stage, attempted to burn down a settlerâs cabin, performed a scalp dance, and charged the 7th Cavalry at the Greasy Grass. Buffalo Bill always rescued the wadichud âthe settlers, the women and children, the people who rode in the stagecoachâfrom the Indians, but he couldnât rescue the longknives. They died every time before Buffalo Bill got there. And when he came on the scene of the dead bodies, he took off his hat and hung his head and his horse bowed. By then, the warriors were behind the long canvas backdrop, which was painted with rolling yellow hills and the many lodges beside the wooded river. They were hidden from the audience and so they smoked and drank water and told jokes.
It had been good in Paris. The days had been too hot sometimes, but the women were handsome, and there was much excitement all the time. Except for a few bouts of longing for the peaceful seclusion of the Stronghold, Charging Elk had enjoyed the whole experience. He had even come to know and make friends with some of the reservation Indians, who didnât seem so weak after all. And after all the daily riding, they could sit a galloping horse almost as well as Charging Elk. But he still took the most chances, counting coup on the buffaloes, taking a fall from his horse after being âshotâ with more vigor, fighting hand to hand with the soldiers with more spirit. He took pride in his performances, sometimes too much pride, and the others, led by Featherman, would tease him without mercy, calling him a black Indian because of his dark color, or a scabby tatanka because he lived in the badlands like an old bull. They played jokes on him, putting scratchy grass in his sleeping robe or the strong sand that goes on meat in his pejuta dapa .
Charging Elk smiled for a moment as he recalled the jokes, but the reality of where he was abruptly jarred his consciousness. Except for the table and the chair Charging Elk sat upon, there was one other chair and a tall box with many drawers in a corner. The single yellow wire in its glass globe and a window which looked out into the corridor provided a harsh light but the corners of the room were shadowed. He had been sitting in the chair, almost without moving, for two hours and now he had to piss. He had not seen the akecita who had brought him here since their arrival.
The tobacco he had smoked had made him dizzy and his guts were rumbling because he had not eaten for many hours. He closed his eyes and made himself think again of Paris and he saw the young woman who had come to look at the Indians in the village. That
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