Heart-shaped box by Joe Hill Page A

nightfall. It’s almost time. Nightfall is when we turn on the radio and listen to the radio voice. We do what the radio man says to do. Your head is a radio, and my voice is the only broadcast.”
    Jude looked back, and Craddock wasn’t there anymore. In his place, where he had sat, was an old-fashioned radio, the face lit up all in green, and his voice came out of it. “Your only chance to live is to do just as I say. My voice is the only voice you hear.”
    Jude felt a chill in his chest, didn’t like where this was going. He came unstuck and in three steps was at the side of the table. He wanted to rid them of Craddock’s voice. Jude grabbed the radio’s power cord, where it was plugged into the wall, and yanked. There was a pop of blue electricity, which stung his hand. He recoiled, throwing the line to the floor. And still the radio chattered on, just as before.
    “It’s nightfall. It’s nightfall at last. Now is the time. Do you see the knife in the box? You can pick it up. It’s yours. Take it. Happy birthday to you.”
    The VC looked with some curiosity into the heart-shaped box and picked out the bowie knife. He turned it this way and that, so the blade flashed in the light.
    Jude moved to look down at the face of the radio. His right hand still throbbed from the jolt it had taken, was clumsy, hard to manipulate. He didn’t see a power button, so he spun the dial, trying to get away from Craddock’s voice. There was a sound Jude at first took for a burst of static, but which in another moment resolved into the steady, atonal hum of a large crowd, a thousand voices chattering all together.
    A man with the knowing, streetwise tone of a fifties radio personality said, “Stottlemyre is hypnotizing them today with that twelve-to-six curveball of his, and down goes Tony Conigliaro. You’ve probably heard that you can’t make people do things they don’t want to do when they’ve been hypnotized. But you can see here it just isn’t true, because you can tell that Tony C. sure didn’t want to swing at that last pitch. You can make anyone do any awful thing. You just have to soften them up right. Let me demonstrate what I mean with Johnny Yellowman here. Johnny, the fingers of your right hand are poisonous snakes. Don’t let them bite you!”
    The VC slammed himself back into his chair, recoiling in shock.His nostrils flared, and his eyes narrowed, with a sudden look of fierce determination. Jude turned, heel squeaking on the floor, to cry out, to tell him to stop, but before he could speak the Vietnamese prisoner whacked the knife down.
    His fingers fell from his hand, only they were the heads of snakes, black, glistening. The VC did not scream. His damp, almond-brown face was lit with something like triumph. He lifted the right hand to show the stumps of his fingers, almost proudly, the blood bubbling out of them, down the inside of his arm.
    “This grotesque act of self-mutilation has been brought to you courtesy of orange Moxie. If you haven’t tried a Moxie, it’s time to step up to the plate and find out why Mickey Mantle says it’s the bee’s knees. Side retired in order….”
    Jude turned, reeled toward the door, tasting vomit in the back of his throat, smelling vomit when he exhaled. At the very periphery of his vision, he could see the window, and the seesaw. It was still going up and down. No one was on it. The dogs lay on their sides, asleep in the grass.
    He shoved through the door and banged down two warped steps and into the dusty dooryard behind his father’s farm. His father sat with his back to him, on a rock, sharpening his straight razor with a black strop. The sound of it was like the dead man’s voice, or maybe it was the other way around, Jude no longer knew for sure. A steel tub of water sat in the grass next to Martin Cowzynski, and a black fedora floated in it. That hat in the water was awful. Jude wanted to scream at the sight of it.
    The sunshine was intense and direct on