tomatoes were shrunken, wearing furred grey hats. The half-bottle of milk was yellow and sour. Lettuce wilted to seaweed. Daniel closed the door.
He went into the living room, where the last newspaper she had read was lying open on the couch. It had been a Tuesday then, when she had last been in the house. He could picture her with her feet up reading the Guardian. He touched the paper andfelt a chill. He felt both close to her and distant, as if she was a reflection he could see in a window or a lake.
Her old piano was open by the window. Daniel pulled out the stool and sat down, listening to the wood strain under his weight. He pumped one of the pedals gently with his foot, letting his fingers fall heavy on the keys, the notes discordant under his touch. He remembered nights as a child when he would creep down and sit on the stairs, the toes of one foot warming the other as he listened to her play. She played slow, sad, classical pieces that he did not recognise at the time but which he had learned to name as he got older: Rachmaninov, Elgar, Beethoven, Ravel, Shostakovich. The drunker she became, the louder she would play and the more notes she would miss.
He remembered standing in the cold of the hall, watching her through the half-open living-room door. She was heavy on the keys, so that the piano itself seemed to protest beneath her. Her calloused, bare feet pumped the pedals as strands of her grey curls fell over her face.
Daniel smiled, sounding single notes on the piano. He could not play. She had tried to teach him once or twice. His forefinger found the notes and then listened to the sound of them: cold, shuddering, lonely. He closed his eyes, remembering; the room was still thick and heavy with the scent of dog. What had happened to the dog when Minnie died, he wondered?
Every year he had known her, on 8 August she drank herself into a stupor listening to one record over and over again. It was a record she wouldn’t let him touch. She kept it tight in its sleeve except for that one day of the year when she would let it spin and allow the fine needle of the stylus to find its fingerprint threads.She would sit in the half-dark, the living room lit only by the fire, and listen to Ravel’s Piano Concerto in G Major. Daniel had been in university before he knew the name of the track, although he had memorised every note well before then.
Once, she had let him sit with her. He had been thirteen or fourteen and still trying to understand her. She had made him sit quietly, turned from her and facing the record that scratched its way into the music as she waited, her chin bobbing up and down slightly in expectation of the notes and the pathos that would find her.
When the music started, he had turned to watch her face; surprised at the effect the music had on her. It reminded him of his mother injecting heroin. The same rapture, the same devout attention, the same bewilderment, although she would seek it out again and again.
At first Minnie would seem to follow the notes with her eyes, her breath deepening and her chest rising. Her eyes would water, and from across the room Daniel would see the sheenof them. She was like a painting: a Rembrandt – lucent, rustic, there. Her fingers on the armchair would mime the notes, although he had never heard her play this piece. She would listen but never, not even once, did she play it.
And then the discordant notes, the A# and B. As they continued to sound and sound again, a rare tear would form and fall, flashing across her cheek. Dissonant but somehow right: sounding out what she felt.
She seemed to seek out the discord, as a finger finds a wound.
How many nights in August had he woken to the sound of piano music and crept downstairs to realise that she was weeping.The sobs were robbed from her. It was as if she was being hit in the stomach, again and again. Daniel remembered pulling himself intoa ball as he listened, frightened for her, not understanding what was
He went into the living room, where the last newspaper she had read was lying open on the couch. It had been a Tuesday then, when she had last been in the house. He could picture her with her feet up reading the Guardian. He touched the paper andfelt a chill. He felt both close to her and distant, as if she was a reflection he could see in a window or a lake.
Her old piano was open by the window. Daniel pulled out the stool and sat down, listening to the wood strain under his weight. He pumped one of the pedals gently with his foot, letting his fingers fall heavy on the keys, the notes discordant under his touch. He remembered nights as a child when he would creep down and sit on the stairs, the toes of one foot warming the other as he listened to her play. She played slow, sad, classical pieces that he did not recognise at the time but which he had learned to name as he got older: Rachmaninov, Elgar, Beethoven, Ravel, Shostakovich. The drunker she became, the louder she would play and the more notes she would miss.
He remembered standing in the cold of the hall, watching her through the half-open living-room door. She was heavy on the keys, so that the piano itself seemed to protest beneath her. Her calloused, bare feet pumped the pedals as strands of her grey curls fell over her face.
Daniel smiled, sounding single notes on the piano. He could not play. She had tried to teach him once or twice. His forefinger found the notes and then listened to the sound of them: cold, shuddering, lonely. He closed his eyes, remembering; the room was still thick and heavy with the scent of dog. What had happened to the dog when Minnie died, he wondered?
Every year he had known her, on 8 August she drank herself into a stupor listening to one record over and over again. It was a record she wouldn’t let him touch. She kept it tight in its sleeve except for that one day of the year when she would let it spin and allow the fine needle of the stylus to find its fingerprint threads.She would sit in the half-dark, the living room lit only by the fire, and listen to Ravel’s Piano Concerto in G Major. Daniel had been in university before he knew the name of the track, although he had memorised every note well before then.
Once, she had let him sit with her. He had been thirteen or fourteen and still trying to understand her. She had made him sit quietly, turned from her and facing the record that scratched its way into the music as she waited, her chin bobbing up and down slightly in expectation of the notes and the pathos that would find her.
When the music started, he had turned to watch her face; surprised at the effect the music had on her. It reminded him of his mother injecting heroin. The same rapture, the same devout attention, the same bewilderment, although she would seek it out again and again.
At first Minnie would seem to follow the notes with her eyes, her breath deepening and her chest rising. Her eyes would water, and from across the room Daniel would see the sheenof them. She was like a painting: a Rembrandt – lucent, rustic, there. Her fingers on the armchair would mime the notes, although he had never heard her play this piece. She would listen but never, not even once, did she play it.
And then the discordant notes, the A# and B. As they continued to sound and sound again, a rare tear would form and fall, flashing across her cheek. Dissonant but somehow right: sounding out what she felt.
She seemed to seek out the discord, as a finger finds a wound.
How many nights in August had he woken to the sound of piano music and crept downstairs to realise that she was weeping.The sobs were robbed from her. It was as if she was being hit in the stomach, again and again. Daniel remembered pulling himself intoa ball as he listened, frightened for her, not understanding what was
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