Grist 06 - The Bone Polisher by Timothy Hallinan Page B

disgusts me,” I said.
    Jack gave me a skeptical glance. “Or Max.”
    “That’s a Tennessee Williams line,” I said. “Actually, I disgust fairly easily.”
    On the screen, I read:
     
I’m thirty-eight years old, and lately I’ve been fantasizing sex with women. My dreams are totally peculiar, but I wake up with a big woody anyway. My lover is beginning to suspect something is wrong. Do you think you can help?
     
    Beneath it was the Therapist’s—Max’s—reply:
     
You lucky boy. It’s a new world. Don’t be afraid of facing it. Look at it this way: It doubles the number of possibles. Anyway, it may only be a phase. I’d suggest that you talk to your lover about it. He might actually like it if you suggested he run down to Victoria’s Secret and buy a little—
     
    Beside me, Jack gave a kind of gasp, like someone exhaling a knot.
     
—
peignoir or something. Of course
—
     
    “Holy Jesus,” Jack said, and I swiveled to look at the screen in front of him. Words were scrolling past, black on the white display. Jack turned wide eyes to me and put a hand over the screen as though it were emitting heat.
    “It’s from Max,” he said.

8 ~ Eat at Mom’s
     
    There’s a lot of money in Boys’ Town.
    The recently incorporated city of West Hollywood nestles up against the southern base of the Hollywood Hills, where tidy little hillside chateaus begin around $750,000 and climb into the double-digit millions. Lots of people from the entertainment industry—agents, directors, actors, writers, producers, poseurs, parasites, Picassos of the pitch—drive down the hills in the morning and up them again in the evening, where they join their new Iranian neighbors in worrying about fire all summer and mudslides all winter.
    The north-south streets, streets like Miller Drive and Sunset Plaza Drive, empty into the Sunset Strip. If you think of Boys’ Town as a sort of cultural toupee planted cosmetically onto the map of Los Angeles, the Strip would be the part in the hair, dividing the hills from the flatland. It’s the thoroughfare the white people from Beverly Hills use to go east in the morning in their Rolls-Royces and Mercedes, passing the brown people from Central America going west on the bus to clean houses and tend other people’s children.
    The shops along this section of Sunset are small and precious, selling imported flowers, new furniture that’s been artfully slammed with chains to make it look old, designer outfits with exotic sequins, designer shoes, designer sound equipment, and designer everything else. Alternating with the shops are a great many sidewalk cafes that cater to young, slender, aggressively attractive types who toss their hair back a lot. People who spend several hundred dollars a month on their hair want it to
glimmer
, and it’s hard to make hair glimmer when the sunlight striking it seems to have passed through an ocean of iced tea. So they sit there in the beige sunshine and toy with their Caesar salads and toss their hair back whenever they sense a stray sunbeam. Or, at night, a headlight.
    Below Sunset, in the apartment complexes and small houses that stretch south on the flats to Santa Monica Boulevard and beyond, is the workaday Boys’ Town. The classic old apartments, high-ceilinged and spacious, that housed the stars of the thirties and forties, and the postmodern concrete steamships disguised as condominiums house a politically significant community of gays and lesbians who haul themselves out of bed every day to face the same kinds of jobs that wear people out in Dubuque, Medicine Hat, and Little Rock. They count other people’s change in stores, cash other people’s checks in banks, sell ugly shoes for other people’s feet, deal in second trust deeds on other people’s property, fix watches, clean teeth, and dispense medicine. And when the day is done, many of them go home and dispense care and love to people who need them. People who are sick or dying.
    In the