choreographed and physically demanding divorce ritual. This honour code is a highly fluid system, with built-in safeguards that allow it to adapt to changing cultural demands. Only one kind of honour has remained consistent throughout the ages: âQuV SoS,â the honour of a child for its mother.
The concept of duty is less entrenched in the Klingon system, having been introduced only at the end of the second millennium. Still, the pac voâ kA includes more than four hundred entries, delineating what amounts to a state-sanctioned caste system. A careful reading of the pac voâqua (High Counsellors specializing in this branch of Code must be logicians of the highest order) clearly delineates the duty any one individual within the Klingon Empire bears to any other individual. In fact, over time, as the Klingon culture has become more entrenched and therefore, by necessity, more hierarchical and more political, Duty, in practical, pragmatic terms, has risen to the level of, and in some senses supersedes, Honour. Honour still holds the greatest symbolic power for Klingons, but it is Duty that, as the counsellors like to say, gets the job done.
This is the subtext of Kahlessâs dilemma. It is a question less of choosing between two abstract and equal concepts (and all abstractions, like all men, are created equal) than of selecting the course for oneâs life, or rather, the course for oneâs legacy. To the left, Kahless faces quv, the sacred tradition of his peoples that gives meaning to ka. To the right lies ka, the profane system through which quv is sustained. One is eternal and decadent, the other perverse and sustaining. But Kahless, as the legends tell us, chose neither left nor right. He dove into the middle of the abyss. He is falling still and shall continue to fall without end. That is his legacy. In the shadow of his greatness, that is his tragedy.
. . .
Moonie was still talking about food. At first Murph had thought the talking was cathartic. But now it seemed the opposite, whatever that was.
âThe drivers themselves should be chefs, thatâs part of the key, I think. Who wants to see some pimple-face snot delivering a wet bag of food? Thatâs what most of those other fast places do, have pimple-faced snots deliver the food. Itâs always cold. The bag is always wet.â
âUh huh.â
âBut our drivers will be professionals. Theyâll be professional drivers and professional chefs. Weâll even get those chefsâ costumes and little white hats. In fact, maybe we can save ourselves a bundle and just buy the outfits. That way, we donât have to pay real chefs. We can just hire drivers who look like chefs. But professional drivers. And no snotty-faced kids. I hate that, when they come to the door with cold food.â
âAnd the bag all wet?â
âExactly. I hate that.â
Murph had picked up Moonie on the way back from the mall. Quite frankly, Moonie had been getting on his nerves lately. But also, quite frankly, Murph didnât want to be alone. In the back of his mind he half thought that he could unload some of the product on Moonie. But who was he kidding? Even if Moonie took it heâd have to take it on credit, and in that case, he might as well just give it away.
âMaybe we could hire girls. Seventeen, eighteen. Thatâd be even cheaper. And instead of chef suits, they could wear those little French maid outfits.â
âFrench maids?â
âYeah.â
âAnd not chefs?â
âYeah.â
âIsnât that somewhat incongruous?â
âYeah. Exactly. Itâs funny.â
A moment of silence. Murph figured Moonie was mentally undressing one of his French maids.
âYou ever made a stupid decision, Moonie, fucked up real bad? You know, gotten yourself into something that looked simple enough on the outside, but once youâre inside, you found yourself . . .â
Moonie waited
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