not?â
âHe says I draw too much. I have to concentrate on school work.â
âMy, thatâs a shame. But maybe if you work really hard, he might change his mind and let you come back. Give it a go, all right? Why donât you drop by the art room on your way home anyway. Iâve got something to give you.â
After morning assembly, Mimi slipped into her wooden desk beside Josh Rudd. She liked Josh. Everyone did. He had a broad smiling face and spiky fair hair and his voice would crack in mid-sentence. But best of all, he never called her Smelly-Loo. Instead he called her M.
Josh was extremely untidy. His books would start in a nice neat pile at nine fifteen. By nine sixteen, they would slowly spread, like molten lava, across both desks, onto the seat, then finally spill over onto the floor. By three thirty, Mimiâs feet would be surrounded by books, pencils, pens, rubbers and rulers all belonging to Josh. But Mimi didnât mind a bit.
At lunchtime, Mimi sat by herself in her usual spot under the peppercorn tree, swinging her legs to keep away the flies.
âHey there, Smelly-Loo . . . what ya got for lunch today?â chanted Gemma Johnson, the leader of the âcoolâ group. She winked at her two offsiders Phoebe and Eliza. Gemma always wore her hair high in a ponytail which she would deliberately swing from side to side to attract attention. Especially the attention of Josh Rudd. She was jealous that Mimi got to sit next to him in class. âWhat a waste,â she told everyone.
Mimi grimaced, desperately trying to hide her thermos before Gemma could make fun of it. But it was too late.
âSheâs eating flied lice!â Phoebe pointed and laughed.
âOh, puke,â said Gemma sticking her fingers down her throat. âAnd look at these primitive eating sticks.â She snatched Mimiâs chopsticks and rolled them under her shoe. âThere, all nicely sterilised. Why donât you use a knife and fork like civilised people?â
Eliza and Phoebe giggled. âSeeya, Smells,â they chorused and ran off towards the oval.
Why wonât Mum give me a plain old sandwich like everyone else?
Mimi had pleaded with her mum to pack
normal
lunches but her mum didnât understand what the problem was. âHot fried rice is surely better than a cold sandwich for lunch,â she had told Mimi. âCold food is not good for the stomach.â
Suddenly, Mimi had lost her appetite.
As soon as the bell rang for dismissal, Mimi grabbed her bag and raced to the art room. She loved the thick and slightly sickly smell of paint, and the brushes standing up in their containers like bunches of hairy flowers. The shelves were stacked with a new delivery of coloured paper, but it was the pure white paper that Mimi loved the best, lying there waiting to be given new life.
Miss OâDell stood on a bench pinning up giant papier-mache faces, with bulbous eyes and hairy noses.
âHello, Mimi,â she said, her lips studded with drawing pins. âCome in, Iâll just be a secâ She spat the pins into her hand and climbed down, then cocked her head to one side as she looked into Mimiâs face.
âSomethingâs bothering you, I can tell.â
âIt doesnât matter.â
âCome on, what is it?â
Mimi wasnât used to telling
outside
people her feelings. âWe Chinese keep them to ourselves,â her mum always said, âthat way we never lose face.â But Mimi did feel a closeness with Miss OâDell that she never felt with her parents.
âI hate being a banana.â The words echoed around the art room.
âA banana?â
âYou know . . . yellow on the outside and white on the inside. I wish I didnât look Chinese because I donât feel Chinese. I feel just like everyone else. I hate it.â
Miss OâDell smiled her soft smile. âI know itâs hard being
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