like heâs moving. A door closes and suddenly itâs quiet. âI owe money. Heaps, but Iâm going to pay it back. Iâm not bad. Swear it. I donât do really bad things. Sometimes youâve got to make a choice though, hey. To fix things.â
I look down at the t-shirt in my hand. Itâs black so it doesnât take a rocket scientist to know which pile to dump it in. I let my head roll back, still gripping the damn t-shirt.
âIâm really in the shit, hey. I donât even know if youâre listening to these messages. Maybe youâre just deleting them. Maybe youâve written me off. Donât blame you if you have. But Iâm going to make it up to you. Youâll see. Iâve got a plan. Donât give up on me, hey.â
Beep.
I toss the t-shirt across the room. The phone is getting hot against my ear. Clammy.
âMessage received yesterday at nine-ten am.â
I chew on my thumbnail, my legs jiggling. Xavierâs voice kicks in. No blues this time but he sounds breathless. Like heâs been running.
âI did it, Frankie. I got the money.â He sounds like a kid at four am Christmas morning. âAnd it was easy too. Canât believe I didnât think of it already. Dickhead wonât even know whatâs hit him. Iâm going to pay back Dad and sort out some other stuff and thereâll even be some left over. I can get that record player, hey. Legit. We can listen to the vinyl and maybe Iâll let you change my mind about Brian Curtis.â He laughs. I hold a hand over my chest, gripping the fabric over my heart.
âI fixed everything,â he says. âI told you I would. So call me back. Iâll be at Dadâs for the next bit but anytime after, hey. Iâll wait.â
Beep.
I drop the phone into my lap. I donât need to replay the message because itâs seared into my brain, on a loop. âI got the money. Dickhead wonât even know whatâs hit him. Thereâll even be some left over. I fixed everything.â
Iâm sitting there with four and a half thousand questions burning a hole in my brain, chief of which is how do you make five grand or more in under a day? Short of doing something very illegal, something very bad.
I close my eyes, cover my face with my hands. A familiar mix of dread, fear and shame burns in my chest â I havenât felt it for, oh, I donât know, say fourteen years?
Hell, Xavier, what have you done?
__________
Thereâs the rotting carcass of a Commodore in the front yard of Bill Greenâs house, the only B Green in the phone book living in Reservoir. Long grass grows around and up through the rusted heap. I hover by the front gate â wrought iron, painted undercoat-pink. Why couldnât Xavier have just answered his damn phone? Iâm way out of my natural habitat here and itâs not like I even owe the kid but . . .
Thereâs always a âbutâ, isnât there? The same âbutâ that used to keep me pressed to the window, heart in my throat, waiting for Juliet to come home.
Anger and worry all mixed up.
Next door to Billâs house, an old lady dressed in black is leaning against her low brick fence. Her garden is a slab of concrete. She stares at me.
âDo you know Bill Green?â I ask.
She straightens and steps back, shaking her head. â
Non mi parlare. Io non so niente.
â
Italian â damn it. I look around but thereâs no one else on the street. âIs he in?
Conosci lâuomo che abita qui? Sai se câè?
â
She waves her hands at me, a black lace handkerchief in one hand, and yells, â
Che alleva un cobra muore avvelenato. Aiutati che Dio tâaiuta.
â She flicks the handkerchief at me several times before the rant lets up.
And here was me thinking they broke the mould after Nonna Sofia.
âIâll just knock.â I push the gate as far open
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