Forgiving Ararat

Forgiving Ararat by Gita Nazareth Page A

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Authors: Gita Nazareth
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inside me that was much larger than me. “We will meet again, Brek,” he said. “You’ll do well here, I’m certain of it.” He walked toward the chair at the center of the Chamber and Luas motioned for us to take our seats.
    “We present only the facts,” he whispered as we sat down. “Our concern here is not with verdicts.”
    “But if they were really put on trial, then surely you must know—”
    “Nothing,” Luas interrupted. “We know nothing about the outcomes. The Chamber never speaks. One might speculate, of course. There are instances when a presenter feels the result should go one way more than another, but it is strictly forbidden. The consequences for a presenter who attempts to alter eternity last all of eternity. We must not seek to influence the result.”
    I stared at him, trying to see through him, behind him, still unwilling to believe, still clinging to life as it used to be, searching for explanations for what was happening. “The surgery isn’t going well, is it doctor?” I said. You’re making me worse. I’m even more delusional.”
    “Nonsense,” Luas said. “Look, Haissem has taken his seat. You’ll see things more clearly after he presents his case.”
    Haissem sat on the chair at the center of the Chamber, adopting the same position as Luas, hands on knees, eyes closed, waiting. I kept my eyes open, watching. Suddenly, a powerful tremor rocked the triangular monolith, rippling its smooth surface. From the center of the monolith, from its solid core, emerged a being like the one on the animated sculpture in the hallway, human in shape and size but without hair, face, or features, dressed in a charcoal gray cassock. The creature approached Haissem without moving its limbs, buoyed, it seemed, on a cushion of air. Haissem maintained his position and the creature stood before him for a moment, then returned to its dark home without a sound. When the tremor subsided, Haissem rose from the chair and, standing at the exact center of the Chamber, raised his arms up from his sides in a broad arc. The energy of the walls and floor pulsed violently and surged toward him from all directions, seemingly compressing the space around him like an imploding star. The shock wave struck Haissem’s body, instantly vaporizing him, leaving behind in the vacuum only his voice, detonating like a great cosmic explosion: “I PRESENT TOBIAS WILLIAM BOWLES . . . HE HAS CHOSEN!”
    The Chamber went dark. No light. No sound. No motion. Then the Chamber disappeared altogether.
     
     
    I’m crossing a dirt road now, in another time and another place. My body feels heavy, tired, anxious; my face feels thick and rough, covered with whiskers and grime; my mouth tastes unfamiliar, like a first kiss. My arms, two of them now, feel powerful but detached, as though I am operating a machine. There is an aggressiveness I have never felt before, a heightened wariness of my surroundings and other people. My thoughts and reactions are accelerated and more analytical, my emotions and ability to comprehend subtleties, dull and unused. I reek with body odors that seem both comfortable and unpleasant. My head aches from a hangover.
    I’m wearing a filthy green Army uniform and new black boots. This is my second pair of boots this month, which I know for a fact but don’t know why or how I know it. I know too that I can have as many boots as I want, that there are enough boots at my disposal to outfit two armies. They’re nice boots, shiny, black, and warm, but you can’t keep them clean here in Saverne. The dust takes the shine off as soon as you put them on, and there is nothing here but dust, darkening the sun and fading the colors. Everything is dust brown: the clothes, the tents, the once white requisition forms; in Saverne, the food tastes brown, the water washes brown, the stars sparkle brown, the air smells brown, and, when the dead arrive at the morgue here, they bleed brown onto the brown ground, ashes to

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