the same time denote the negative quality of that existence—if, as I say, there were such a verb. But there isn’t. I could say, a bit ruefully, that I have lost my verb.
I have had enough of my walk; I sit down. I snuggle down, nestle deep into the armchair, adopting a curled-up posture as if in some Brobdingnagian womb. Maybe I am hoping I shall never have to emerge from here, never go out into the world. Why should I? And then I am also a bit afraid of the stranger who will nevertheless struggle to his feet outof here in the end. In a certain sense, it will be someone other than the person to whom I have grown accustomed until now. Nor can it be any other way, for he has completed his work, fulfilled his purpose: he had flopped utterly. He had transmuted my person into an object, diluted my stubborn secret into a generality, distilled my inexpressible truth into symbols—transplanting them into a novel I am unable to read; he is alien to me, in just the same way that he alienated from me that raw material—that incomparably important chunk of my own life from which he himself had originated. I shall miss it, and perhaps … why deny it, perhaps I shall also miss the person who brought it all off. Yes, as I sit in the armchair a startling feeling suddenly passes through me: a bleak and chilly feeling of some irrevocable occurrence, a bit like the feeling when the last guest has gone after a big party. I have been left alone.
Someone
has departed, leaving an almost physical void in my body, and this very instant, with a malicious smirk on his face, is waving a final farewell from the far corner of the room. I stare impotently after him, I do not have the strength to detain him. Nor do I even wish to: I harbour a feeling of mild but firm resentment toward him—let him go to hell, he tricked me …
“That he did,” said the old boy, “that he did, the numbskull!”
“Did you get any work done?”
“Of course.”
New development in the bistro: the Old Biddy (the chief administrator, to give her her official title) had made a surprise assault on the bar counter and snatched away the order chits from the spike (checking up on the old boy’s wife) (as to whether, in point of fact, she had passed through the charges for all the meals on her tray) (as if, let us say, she was not always in the habit of doing so) (inproof of which postulate the risible) (and equally futile demonstration could end up showing nothing else than that the old boy’s wife had on this occasion) (as ever) (passed them through).
“If I really wanted to steal,” the old boy’s wife said indignantly, “she could scrabble after my orders as much as she wants. I could carry off half the kitchen under her nose without her noticing it.”
“I’m sure,” the old boy agreed. “So why don’t you do that?” he enquired almost absent-mindedly as he was spooning his soup.
“I don’t know. Because I’m stupid,” his wife said.
In any case (his wife said), that was evidently the sole result of today’s announcement (to the effect that from now onwards she too wanted to work in the evenings); and if one can perhaps also discern in it some explanation for the peculiar (yet for all that by no means logical) logic, as an outcome of her colleague, Mrs. Boda (whose first name was Ilona) recently taking, instead of greeting her, to looking the other way, for the harder (in fact, totally impossible)-to-understand reason why the Old Biddy (the chief administrator, to give her her official title) shared that grievance (unless, perhaps, the key to the mystery was to be sought in the bedlam of those wild hours when the Old Biddy would find urgent barrel-tapping and other tasks for the bartender to attend to in the cellar) (right at the height of the evening rush) (at which times, with obvious magnanimity and shrinking from no pains, she herself, in her white coat, would stand in at the bar) (like the captain of a ship at a hurricane-lashed helm)
Mary Pope Osborne
Richard Sapir, Warren Murphy
Steve Miller
Davis Ashura
Brian Aldiss
Susan Hahn
Tracey Martin
Mette Ivie Harrison
V. J. Chambers
Hsu-Ming Teo