but continues glaring at me. âAll of her hopes are in you. When you were a baby, she even wanted to name you after the artists she admired.â
âThereâs an artist named âDakâ?â I wonder.
âI wanted to name you âAlbertâ,â Mom says in a misty way, âthe English form of the name âAlbrechtâ, after Albrecht Durer, one of the most versatile of the seventeenth century masters. Your father, though, thought you should be called Dick, after Charles Dickens . . . .â
âYou wanted to call me Dick ?â I say to Dad.
â . . . Or David,â Mom continues, âafter Robertson Davies. Those were two of your fatherâs literary heroes. So, we compromised. âDâ for Dickens and Davies, âAâ for Albrecht Durer, and âKâ for Kahlo. Frieda Kahlo, the great Mexican painter.â
ââKâ for Kafka,â Dad rumbles, rolling his eyes. âFranz Kafka, the great Czech novelist.â
âSo, my name isnât even a name? Itâs an acronym?â
âThe point is this, Dak,â my father says, âyour mother, and myself also, I suppose, have put a lot of hope and faith in you, and you canât just selfishly throw it away by chasing after some immature fantasy to be a rock star.â
He says ârock starâ the way another parent might say âdrug dealerâ or âmale prostituteâ.
âI donât care about being a rock star !â I protest. âI just want to be a musician . Why did you buy me a set of drums when I was a kid if you didnât want me to play them?â
âThat was your motherâs idea, not mine.â
Mom says nothing. Perhaps there had been a fight over those drums that I hadnât been aware of.
Dad picks up his fork, skewers a chunk of fish stick, and jams it into his mouth. He glares past my mother at the gleaming white face of the refrigerator door. His jaw muscles bulge rhythmically as he grinds up his food. Momâs knife and fork clink quietly against her plate as she cuts everything on it into bite-size pieces, but she does not actually eat much of anything.
I canât take this. I canât take being the sum of all of my parentsâ hopes, dreams, and regrets. Charles Dickens. Robertson Davies. Albrecht Durer. Frieda Kahlo. Franz Kafka. Why couldnât they have just named me âBobâ?
âMay I be excused?â I ask. âIâm full.â
Simultaneously, Mom says, âYes, Honeyâ, and Dad says, âAbsolutely notâ.
I get up from the table and walk outside.
My feet carry me up Fairevilleâs main street, and down a random side street towards the waterfront. Iâm not paying much attention to where Iâm going. I am thinking about those kitchen table revelations.
During my childhood and early teens, Dad had been desperate to make a man of me. He bought me a baseball bat and a basketball, boxing gloves, barbells, fishing tackle, a pellet gun, and finally, a pint-sized dirtbike, all in the hope of interesting me in what he considered to be âmanlyâ pursuits. I had always thought he bought me the drums because he considered rock ânâ roll manly, and also because, unlike all those other things, playing the drums was something I wanted to do. While the other stuff collected dust in the garage, I rattled the floorboards daily, working up a sweat and eventually even building a few muscles. I was sure it made Dad happy that heâd brought those drums home for me.
But it wasnât Dad at all. It was Mom.
I look up from the sidewalk and realize Iâve taken a wrong turn. Nineteen years living in Faireville, and Iâve happened on to the one side street I havenât patrolled a hundred times before. Itâs more of an alley than a street â a narrow, broken strip of pavement, lined by the back doors and dumpsters behind the stores and restaurants on Main
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