Him.
to listen
to Henry’s
word.
to revel in His
love.
on the first day, Henry awaits, ever hopeful, ever aware. perches on the stoop of the general store, drums graceful fingers against worn-in jeans.
smiles.
knows.
everything.
every secret tucked within every hollow space.
on the first day, the ranch is still immaculate.
pristine.
gleaming with promise and anticipation.
Henry says:
there is no i , no ego.
Henry teaches that all we need is us:
our family.
but by the third day of waiting, His grin falters at the corners.
by the third day without our visitor,
without a promise of a higher calling,
a platform, Henry’s forehead
is a road map of worry.
Henry’s lips purse together with an expression so foreign to Him that at first, i hardly recognize the emotion:
concern.
and by the third day, high desert winds have kicked a fine coating of dust over the surface of our surroundings
so that we are no longer
clean.
whispers
cocooned within a threadbare sheet
flanked by family
i inhale
breathe in starlight,
charged particles,
antimatter
and choke back
doubt.
through the thin layer of fabric that
swaddles me,
shelly’s ribs expand
and contract,
press against my own.
she sleeps soundly,
her rhythms,
her pulse, smooth,
safe.
all of our sisters—
tucked tightly into warm, worn nests—
sleep soundly.
smooth.
safe.
while i:
inhale.
breathe in dusk,
studs of starlight
antimatter
and choke back
doubt.
alone
amidst my family,
breathing my own ragged staccato,
i listen for sounds.
whispers.
they come to me,
unbidden.
once the campfire has been snuffed,
once Henry has chosen
and our family—
all of our fractured, shrieking bodies—
have been tucked tightly,
nestled into
worn, warm linens—
that is the hour
when the sounds come to me,
unbidden.
when the truth
seeps.
slithers.
wraps itself around my ankles
like seaweed,
rotted,
washed up at the water’s edge
by the force of the roiling tide.
as i skate the knife-edge
between conscious and sleep,
between wake and trance,
between
worry and
safety,
a truth floats to the surface.
it dances like a whisper.
like a secret.
like a code.
at night,
when our barn is shadowed
in lace patterns of moonlight,
junior and leila
speak in code.
they perch on the covered porch
just outside our sleeping quarters.
they think
we are—
all of us—
asleep.
but
i can hear
the
whispers.
streaked,
split open
by the empty creak
of a shaky, spindly rocker—
i can hear the whispers,
their whispers,
all too well.
the secret goes:
leila and junior:
they worry.
about Henry’s message,
His word.
they fear the music man
has forsaken us,
leaving us precious few ways
to peddle, to spread
to deliver
our word,
our prayer,
our gospel,
into the world.
leila sighs.
the squeak of her chair is a protest.
she says,
“Henry’s getting restless.”
restless.
the word sizzles on her tongue.
“wouldn’t you be?” junior asks. “that man was supposed to come. supposed to listen. to make a recording of Henry’s music.”
a beat, a pause, in which i imagine tented fingers, a reflective gaze into the inky, empty darkness.
(so familiar are the outlines of junior’s body, his boundaries, to me by now.)
“money from the music would’ve gone a long way.”
the tapping of a work boot against a buckled, softened wooden slat. the sound of force and friction, of solid things, set to spoil.
“money would’ve meant we could stop dealing. or maybe, that we could stay here at the ranch forever.”
i can’t see leila’s face, of course,
beyond the image unspooling
in my mind’s eye
,
but the hitch,
the moment, is
deadly.
potent.
“it’s not about the money,” she says, and her voice is tight.
“it’s about Henry’s message.”
junior chuckles, a rattling sound.
“yeah, and you think that’s gonna pay our way around here? you think emmett’s just gonna give us a
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