arms weren’t used tothe exertion, and it looked to her as if the floorboards were actually getting dirtier as she worked. She sobbed quietly. The woman sat in her chair and peeled potatoes. The old man squatted on a wooden bench, staring blankly into space.
When she’d finished, the floor looked exactly the way it had before, but the woman gave her another piece of bread and even some meat. After she’d eaten it, she went out to the pump and washed her face and hands. All of a sudden, it was freezing cold. An animal howled in the distance. The sky was full of stars.
The woman showed her the mattress on which she was allowed to sleep. It was surprisingly soft, there was just one place where a rusty spring had poked its way through, and she had to curl up to prevent it jabbing into her back. For a moment she thought about her husband. Suddenly he seemed a stranger, like someone whom she’d known long ago, in another world or a past life. She heard herself breathing, and realized that she was already asleep, looking down on herself in a dream. With astonishing clarity she knew that such moments were rare and she must be very careful. One false move and there would be no way back, her former life would be gone, never to return. She sighed. Or perhaps she only dreamed the sigh. And then, finally, she lost consciousness.
Replying to the Abbess
M iguel Auristos Blanco, the writer venerated by half the planet and mildly despised by the other, author of books on serenity, inner grace, and the wandering journey in quest of the meaning of life across hills, meadows, and valleys, paced ceremoniously into his study in the front of his penthouse apartment in a skyscraper high above the glittering coastline of Rio de Janeiro. A blinding light came off the sea; on the other side of the bay, first clearly, then in patches of gray shadow, the shapes of the mountains stood out, their slopes edged with the favelas. Miguel Auristos Blanco shaded his eyes with his hand, the better to see his desk: two gold pens, seventeen well-sharpened pencils, a flat keyboard in front of a flat screen, and in the filing tray the perfectly aligned stack of pages of his new manuscript, Ask the Cosmos, It Will Speak. Only one chapter still to write after the entire opus had written itself with the same effortlessness over the previous four weeks as had all his previous books;this one was about the faith and the trust that were engendered by the gestures and rituals which served to express them, and not, as was so often supposed, the other way around: if you were true to someone, you would begin to love them, if you helped a friend, you would become more honest with yourself, if you made yourself attend a Mass, you would find that it ceased to be a blind ritual and gradually revealed the existence and nearness of a Supreme Being watching over you.
Miguel Auristos Blanco didn’t invent these things, they came of their own volition and found their way into the manuscript without any help from him while he sat there watching with restrained curiosity as his typing fingers put line after line up onto the shimmering white screen, and when he stood at the end of a working day, and—like now, for instance—blinked as he watched the sun go down, he was no less exalted and edified than all of his seven millions readers were about to be.
He sighed. With a quick movement of the left hand, on whose middle finger a small tapered sapphire gleamed, he stroked first his moustache and then his thinning hair. As always when he came back from the toilet, he felt both comforted and prey to a vague melancholy. He was spending a great deal of time on the toilet these days; his doctor had told him recently that he would have to have a prostate operation soon. Miguel Auristos Blanco tilted his head, licked his lips, and heard himself give a faint sigh again. He was wearing bespoke shoes of highly polished chestnut leather, white linentrousers, and a white silk shirt open to
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