thought they were still mad at her. They never did the whole raising-their-voice thing, which meant that when Luce really messed up, they just gave her the old silent treatment. Now she understood this morning's strange demeanor: Her parents were already mourning the loss of contact with their only daughter.
"We're still waiting on one person," the attendant sang. "I wonder who it is." Luce's attention snapped back to the Hazard Box, which was now brimming with contraband she didn't even recognize. She could feel the dark-haired boy's green eyes staring at her. She looked up and noticed that
everyone
was staring. Her turn. She closed her eyes and slowly opened her fingers, letting her phone slip from her grasp and land with a sad
thunk
on top of the heap. The sound of being all alone.
Todd and the fembot Gabbe headed for the door without so much as a look in Luce's direction, but the third boy turned to the attendant.
"I can fill her in," he said, nodding at Luce.
"Not part of our deal," the attendant replied automatically, as if she'd been expecting this dialogue. "You're a new student again—that means new-student restrictions. Back to square one. You don't like it, you should have thought twice before breaking parole."
The boy stood motionless, expressionless, as the attendant tugged Luce—who'd stiffened at the word "parole" — toward the end of a yellowed hall.
"Moving on," she said, as if nothing had just happened. "Beds." She pointed out the west-facing window to a distant cinder-block building. Luce could see Gabbe and Todd shuffling slowly toward them, with the third boy walking slowly, as if catching up to them were the last thing on his list of things to do.
The dorm was formidable and square, a solid gray block of a building whose thick double doors gave away nothing about the possibility of life inside them. A large stone plaque stood planted in the middle of the dead lawn, and Luce remembered from the Web site the words PAULINE DORMITORY chiseled into it. It looked even uglier in the hazy morning sun than it had looked in the flat black-and-white photograph.
Even from this distance, Luce could see black mold covering the face of the dorm. All the windows were obstructed by rows of thick steel bars. She squinted. Was that barbed wire topping the fence around the building?
The attendant looked down at a chart, flipping through Luce's file. "Room sixty-three. Throw your bag in my office with the rest of them for now. You can unpack this afternoon."
Luce dragged her red duffel bag toward three other nondescript black trunks. Then she reached reflexively for her cell phone, where she usually keyed in things she needed to remember. But as her hand searched her empty pocket, she sighed and committed the room number to memory instead.
She still didn't see why she couldn't just stay with her parents; their house in Thunderbolt was less than a half hour from Sword & Cross. It had felt so good to be back home in Savannah, where, as her mom always said, even the wind blew lazily. Georgia's softer, slower pace suited Luce way more than New England ever had.
But Sword & Cross didn't feel like Savannah. It hardly felt like anywhere at all, except the lifeless, colorless place where the court had mandated she board. She'd overheard her dad on the phone with the headmaster the other day, nodding in his befuddled biology-professor way and saying, "Yes, yes, maybe it would be best for her to be supervised all the time. No, no, we wouldn't want to interfere with your system."
Clearly her father had not seen the conditions of his only daughter's supervision. This place looked like a maximum-security prison.
"And what about, what did you say—the reds?" Luce asked the attendant, ready to be released from the tour.
"Reds," the attendant said, pointing toward a small wired device hanging from the ceiling: a lens with a flashing red light. Luce hadn't seen it before, but as soon as the attendant pointed the
"We're still waiting on one person," the attendant sang. "I wonder who it is." Luce's attention snapped back to the Hazard Box, which was now brimming with contraband she didn't even recognize. She could feel the dark-haired boy's green eyes staring at her. She looked up and noticed that
everyone
was staring. Her turn. She closed her eyes and slowly opened her fingers, letting her phone slip from her grasp and land with a sad
thunk
on top of the heap. The sound of being all alone.
Todd and the fembot Gabbe headed for the door without so much as a look in Luce's direction, but the third boy turned to the attendant.
"I can fill her in," he said, nodding at Luce.
"Not part of our deal," the attendant replied automatically, as if she'd been expecting this dialogue. "You're a new student again—that means new-student restrictions. Back to square one. You don't like it, you should have thought twice before breaking parole."
The boy stood motionless, expressionless, as the attendant tugged Luce—who'd stiffened at the word "parole" — toward the end of a yellowed hall.
"Moving on," she said, as if nothing had just happened. "Beds." She pointed out the west-facing window to a distant cinder-block building. Luce could see Gabbe and Todd shuffling slowly toward them, with the third boy walking slowly, as if catching up to them were the last thing on his list of things to do.
The dorm was formidable and square, a solid gray block of a building whose thick double doors gave away nothing about the possibility of life inside them. A large stone plaque stood planted in the middle of the dead lawn, and Luce remembered from the Web site the words PAULINE DORMITORY chiseled into it. It looked even uglier in the hazy morning sun than it had looked in the flat black-and-white photograph.
Even from this distance, Luce could see black mold covering the face of the dorm. All the windows were obstructed by rows of thick steel bars. She squinted. Was that barbed wire topping the fence around the building?
The attendant looked down at a chart, flipping through Luce's file. "Room sixty-three. Throw your bag in my office with the rest of them for now. You can unpack this afternoon."
Luce dragged her red duffel bag toward three other nondescript black trunks. Then she reached reflexively for her cell phone, where she usually keyed in things she needed to remember. But as her hand searched her empty pocket, she sighed and committed the room number to memory instead.
She still didn't see why she couldn't just stay with her parents; their house in Thunderbolt was less than a half hour from Sword & Cross. It had felt so good to be back home in Savannah, where, as her mom always said, even the wind blew lazily. Georgia's softer, slower pace suited Luce way more than New England ever had.
But Sword & Cross didn't feel like Savannah. It hardly felt like anywhere at all, except the lifeless, colorless place where the court had mandated she board. She'd overheard her dad on the phone with the headmaster the other day, nodding in his befuddled biology-professor way and saying, "Yes, yes, maybe it would be best for her to be supervised all the time. No, no, we wouldn't want to interfere with your system."
Clearly her father had not seen the conditions of his only daughter's supervision. This place looked like a maximum-security prison.
"And what about, what did you say—the reds?" Luce asked the attendant, ready to be released from the tour.
"Reds," the attendant said, pointing toward a small wired device hanging from the ceiling: a lens with a flashing red light. Luce hadn't seen it before, but as soon as the attendant pointed the
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