Fab: An Intimate Life of Paul McCartney
boys’ pin-up Brigitte Bardot. John had subjected Cynthia Powell to a similar, demeaning makeover. With so much in common, Dot and Cyn became friends, moving into adjacent bedsits in Garmoyle Road, comforting each other while their boyfriends were in Hamburg. Despite well-placed doubts she may have had about his fidelity, Dot wore Paul’s engagement ring and looked forward to becoming his wife. Paul’s family was part of the attraction. ‘I think I was probably in love with Paul because I loved his family, too,’ she told the Daily Mail years later. ‘I loved his dad - he was great. At Christmas and New Year I would go [to Forthlin Road] and it was so different to my house. They had brilliant parties and they would play music together, Paul on guitar and his dad on piano.’
    The relationship became serious when Dot fell pregnant in early 1962. When she told Paul about her condition, the couple took a ferry ride across the Mersey to talk it through. ‘[Paul] was trying to be good about it,’ Dot later told author Bob Spitz, ‘but he was scared. At first, he said we shouldn’t get married, we were too young. I wanted to get married, but I couldn’t tell him that.’ Jim McCartney made the decision. ‘His reaction was that we should get married because you either got married or you had the baby adopted. We didn’t want it adopted because it was our baby, so we started to make plans to get married.’ Dad made it clear that such plans would have to involve Paul getting a proper job to support his wife. Was it too late to go back to Massey & Coggins? Jim also said Dot could come and live with them at Forthlin Road. ‘He put his arm around me, made me feel looked after.’ Paul told Dot he was getting the marriage licence. Aunt Ginny bustled around, as a surrogate mother-in-law-to-be, and all seemed set fair when Dot miscarried. Paul ended the relationship soon afterwards, Dot believing he was relieved not to be trapped in a marriage he didn’t really want. ‘He seemed upset, but deep down he was probably relieved,’ she later told an interviewer. A baby might have cut short the Beatles’ career. As the writer Cyril Connolly observed, ‘There is no more sombre enemy of good art than the pram in the hall.’
    Another very personal problem was solved around this time. Shortly after Brian Epstein had taken over management of the Beatles, he confided in Rex Makin that the boys had picked up venereal diseases in Hamburg. ‘[Brian] asked me could I recommend a good venereologist because all the boys had got clap,’ says Makin; ‘they were very promiscuous. I mean, they had women thrown at them, and they never failed to take the opportunity.’ What with working in matrimonial law, Makin knew a discreet clap doctor, and the boys were sent along.
    THE LUCKIEST AND UNLUCKIEST DRUMMERS IN SHOW BUSINESS
    The decision having been made to fire Pete Best, the unpleasant job of telling him fell to Brian Epstein, who called Pete into his office at NEMS. ‘They don’t think you’re a good enough drummer, Pete,’ he told the boy, ‘and George Martin doesn’t think you’re a good enough drummer.’ Pete had no idea. As he tried to defend himself, the telephone rang. It was Paul calling Brian to check that he had plunged in the knife. There was no point talking further. A comment Paul had made in recent days made sense to Pete now. In the wake of the EMI deal, the drummer had been talking about buying a car. Paul cautioned him to save his money.
    Having received the worst news of his life, Pete staggered downstairs to Whitechapel where Neil Aspinall was waiting, having given him a lift into town. Neil and Pete were very close. Curiously, the Beatles’ roadie had recently embarked on a relationship with Pete’s 38-year-old mother, with the result that Mo Best had given birth to a son, a boy they named Roag. Pete and Neil were thereby now related in blood. Neil was astounded to hear that his band had sacked his lover’s

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