bigger. Iâm scared all the timeâbut I donât know why or of what. I look in the mirror and I see the wrinkles growing on my face, and I just feel so damn . . . alone. â
âIf it makes you feel any better, everyone on earth feels like that from time to time. Presidents, waitresses, fishing guidesâeveryone.â
She turned her face toward me, and I saw that she had begun to cry. âBut Dusky, I feel like Iâm going crazy. I feel like Iâm losing . . . my mind. â
âMaybe you are.â
âThanks!â
âWhat Iâm saying, Stella, is not to let it frighten you to the point where it does drive you crazy. When Iâm scared of something, Iâve got a trick that always makes me feel a whole lot better.â
âI bet.â
âNo, I mean it. I think carefully about the thing that is scaring me. And then, very honestly and very methodically, I decide what the very worst thing that can happen really is. I donât sugarcoat it; I donât lie to myselfâbut even so, the ultimate reality of the fear is never as bad as the fear itself.â
âSounds like great fun.â
âItâs not. But it works.â
She was quiet for a long moment. And very still. Slowly, she turned her head to face me. There was a look of mild surprise in her blue eyes. âYou know,â she said, âyouâre right. It does work. Just for a moment, the briefest moment, I could see the very worst thing that could happen to me. It was real, and it wasnât very niceâbut the moment it seemed real, it was no longer frightening.â She smiled. âAre you sure youâre just a fishing guide?â
âIâm sureâand sometimes Iâm not even very good at that.â
âUh-huh.â
âBut my fee for advice remains the same. One cold beer. In advance.â
She wiped at her eyes and stood up. âGod,â she said, âI must look a mess.â
âAnd the other part of the fee is that you stop knocking yourself.â
âBecause Iâm very attractive, right?â
âYou can bank on it.â
Subtly, her face was changing. The confusion was gone, replaced by a look that was unmistakable. It was the soft-eyed, arched-thigh bedroom look. Somehow, through a combination of the fight and my dimestore psychoanalysis, I had slipped through her guard. I had made my way past the sterile perimeter of this stranger, Stella Catharine Cross, and was being offered the intimacy of her body in the same way she had offered me her fears.
There were no words exchanged.
No words were necessary.
Between all men and all women there is an endless exchange of communication going on that is far more complex than our surface exchange of vowels and verbs and adjectives.
We are so accustomed to it that we are rarely even aware it is going on.
But it is.
We never meet the eye of a stranger without the minimum question-and-answer session: âI might be interested; Iâm definitely not interested; maybe, if things were different . . .â
Those are the basic answers to the most basic of questions.
And now, this lady was saying yes; saying yes not in an obvious way, but in a way unmistakable nonetheless.
I watched her move to the kitchen to get my beer. I hadnât been lyingâshe was attractive. Very attractive. Her face held its share of pain and wear, and her breasts were no longer the gravity-free breasts of the cheerleader. But, strangely, that seemed to make her all the more desirable.
So why did I feel the urge to make my excuses and get the hell out of there?
Maybe it was because I was thinking of the lovely April Yarbrough; or maybe it was because I donât subscribe to the convenient Playboy philosophy that all sex is good sexâhowever desperate, however brief, however empty.
Maybe hell. It was neither of those things, and I knew it.
This lady, Stella Catharine Cross, was one of the injured
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