perceiving it as positive, building upon it, expanding it, drawing lines in different directions (". . . in time there may be others "). But Crosby's Euclidean approach complicates love rather than simplifies it. And it is doubtful whether many lovers could endure further complications. As a visitor to the clockworks once heard the Chink say, “If it's sloppy, eat it over the sink.”
So trot your ponies, honeys, and accept the tangled facts, knowing that your author would prefer to write a simple love story if it were possible. How refreshing to deal with something subjective, intuitive or, best of all, mystical! But the serious writer, like his brother the scientist, has been reduced to dealing with the mere objective.
22.
JUST AS a piece of shell can take all the fun out of an egg salad sandwich, just as the advent of an Ice Age can poop a million garden parties, just as a disbelief in magic can force a poor soul into believing in government and business, so can a fit of asthma rather spoil the first date between a young woman and an Indian.
Sissy didn't know what to do. Initially, she thought Julian was reacting to the sight of her thumbs, although the Countess had sworn that he had made his watercolorist fully cognizant of Sissy's anatomical embellishments. At one time or another, folks had sniggered at her, pointed, blanched, blinked, clucked, snapped hurried snapshots, bitten their tongues and fallen off barstools, but this reaction took the cake, and the pie, too. They weren't that big.
Should she try to assist him, or flee?
Conveniently, from the other side of the lobby Julian's friends came to the rescue. They were two well-groomed couples, white, mid-thirtyish and middle-class. The younger of the men took charge. He broke an inhaler of epinephrine under Julian's nose. The epinephrine hormone relaxed the smooth muscles in the small bronchi of the victim's lungs, allowing air to pass more freely in and out. Within moments his breathing had improved. However, the attack was severe and Julian continued to whistle and wheeze. His chest sounded like the trombone section of the old Stan Kenton orchestra. His chest was playing “Stars Fell on Alabama.” Nobody danced.
“We'd better take you home,” the man in charge said to Julian. As it turned out, he and Julian had once been roommates, so that's why he knew how to handle the attack.
Embarrassed, and in the red of embarrassment looking more Indian than he had previously, Julian begged Sissy's pardon. In wheeze-ventilated and cough-derailed speech, he managed to tell her:
“I've been enthralled with your photographs for years. When the Countess hinted that you might like to meet me—he never explained why—I was ready to paint for him free of charge. And now I had to go and spoil it.”
It was Sissy's turn to redden. Her one-sixteenth came swimming to surface, matching Julian's full measure of uncompromised blood. Although uncomfortable, she was moved by his lament. The emotions she felt were almost counter to the ones she had imagined this talented Indian would inspire in her. Once again (as in Madame Zoe's trailer), she found herself on top of a situation that she had expected would dominate her. Through the blush, her mysterious calm smile stirred and slowly beat its wings, a seabird ascending through a spray of tomato soup.
The man who took charge was named Rupert, a salesman for a publishing house. His wife was Carla, a homemaker, as they say. The other couple broke down into Howard and Marie Barth, both copywriters for an ad agency. While Rupert helped Julian to the street, Howard hailed a cab and Carla and Marie fluttered around Sissy. “This is dreadful,” Marie said. She lowered her voice, becoming confidential. “You know, asthma attacks are brought on by emotional stress. Poor Julian is so high-strung. The excitement of meeting you—my dear, you look so stunning!—must have upset his chemical balance.” Carla nodded. “It'll be all
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