Dress Your Family in Corduroy and Denim

Dress Your Family in Corduroy and Denim by David Sedaris Page B

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Authors: David Sedaris
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by example. I never went into their apartment, but what I saw from the door was pretty rough — not simply messy or chaotic, but hopeless, the lair of a depressed person.
Given her home life, it wasn’t surprising that Brandi latched onto me. A normal mother might have wondered what was up — her nine-year-old daughter spending time with a twenty-six-year-old man — but this one didn’t seem to care. I was just free stuff to her: a free babysitter, a free cigarette machine, the whole store. I’d hear her through the wall sometimes: “Hey, go ask your friend for a roll of toilet paper.” “Go ask your friend to make you a sandwich.” If company was coming and she wanted to be alone, she’d kick the girl out. “Why don’t you go next door and see what your little playmate is up to?”
Before I moved in, Brandi’s mother had used the couple downstairs, but you could tell that the relationship had soured. Next to the grocery carts chained to their porch was a store-bought sign, the NO TRESPASSING followed by a handwritten “This meens you, Brandi!!!!”
There was a porch on the second floor as well, with one door leading to Brandi’s bedroom and another door leading to mine. Technically, the two apartments were supposed to share it, but the entire thing was taken up with their junk, and so I rarely used it.
“I can’t wait until you get out of your little slumming phase,” my mother had said on first seeing the building. She spoke as if she’d been raised in splendor, but in fact her childhood home had been much worse. The suits she wore, the delicate bridges holding her teeth in place — it was all an invention. “You live in bad neighborhoods so you can feel superior,” she’d say, the introduction, always, to a fight. “The point is to move up in the world. Even sideways will do in a pinch, but what’s the point in moving down?”
As a relative newcomer to the middle class, she worried that her children might slip back into the world of public assistance and bad teeth. The finer things were not yet in our blood, or at least that was the way she saw it. My thrift-shop clothing drove her up the wall, as did the secondhand mattress lying without benefit of box springs upon my hardwood floor. “It’s not ironic,” she’d say. “It’s not ethnic. It’s filthy.”
Bedroom suites were fine for people like my parents, but as an artist I preferred to rough it. Poverty lent my little dabblings a much-needed veneer of authenticity, and I imagined myself repaying the debt by gently lifting the lives of those around me, not en masse but one by one, the old-fashioned way. It was, I thought, the least I could do.
I told my mother that I had allowed Brandi into my apartment, and she sighed deeply into her end of the telephone. “And I bet you gave her the grand tour, didn’t you? Mr. Show-Off. Mr. Big Shot.” We had a huge fight over that one. I didn’t call her for two days. Then the phone rang. “Brother,” she said. “You have no idea what you’re getting yourself into.”
A neglected girl comes to your door and what are you supposed to do, turn her away?
“Exactly,” my mother said. “Throw her the hell out.”
But I couldn’t. What my mother defined as boasting, I considered a standard show-and-tell. “This is my stereo system,” I’d said to Brandi. “This is the electric skillet I received last Christmas, and here’s a little something I picked up in Greece last summer.” I thought I was exposing her to the things a regular person might own and appreciate, but all she heard was the possessive. “This is my honorable-mention ribbon,” meaning “It belongs to me. It’s not yours.” Every now and then I’d give her a little something, convinced that she’d treasure it forever. A postcard of the Acropolis, prestamped envelopes, packaged towelettes bearing the insignia of Olympic Airlines. “Really?” she’d say. “For me?”
The only thing she owned, the only thing special, was a

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