see inside. It isnât easy. People are streaming in. I see the metal bleachers the elephants and I hauled over, and theyâre teeming with humans. The tent is filling fast.
Suddenly, Queenie bursts out of the tent and trots past us, nearly running over a family with six redheaded kids, including a baby. âI refuse to perform under these conditions! I am Queenie, the star of the show! Iâve tried to tell these humans that I want new costumes. But do I get them? No!â
Iâm not sure if sheâs talking to her two friends, who cower just inside the tent. Or to herself.
Leo, the circus manager, trails behind her. âQueenie, I canât have you walking out on me! Not again!â Heâs shouting louder than the barkers. I have a feeling part of his volume comes from anger.
Queenie spins around to face him, and he takes a step back. She stretches out her neck and lays her ears back flat. Sheâs apparently angry as well. âIâm not carrying that rude girl, Princess, and you canât make me!â
I have to wonder if this horse realizes that humans donât understand her words.
Queenie shows her teeth to Leo and shouts, âI quit!â Then she turns and gallops off.
Leo points at the disappearing white horse and shakes his finger. âYouâre fired!â
Â
21
On with the Show!
We all watch Queenie until sheâs completely out of sight.
âNow what am I going to do?â Leo shouts.
Tina and Harold have joined Fanny and me.
âWas that Queenie?â Tina asks. âDid Leo just fire her?â Tina is laughing.
âOr she quit,â Fanny says. âHard to say which.â
Harold is still looking at the spot where Queenie could last be seen. âShe sure was purty,â he says.
A young girl with red curls piled on top of her head storms out of the tent. Sheâs wearing white tights and a pink ballet tutu. âLeo!â she screams. âNow what am I supposed to do?â She stomps her foot.
âThatâs Princess,â Fanny explains.
âI guessed as much.â If Queenie were to turn into a human, this is the human she would become. They even have the same scowl.
âRight-o!â Leo barks. âQueenie was your ride, wasnât she? Yes. That does present a problem.â
âIâll just take Rubyâs horse,â Princess announces.
A girl dressed just like Princess is standing behind her. âBut if you ride my horse, what will I ride?â This must be Ruby.
âThatâs not my problem,â Princess says.
âPrincess!â Ruby whines and throws a little tantrum, stomping her feet and wailing.
Princess glances around at the crowd waiting to get into the tent. âOh, stop bawling, Ruby!â Princess shouts. âYou can ride whatâs-her-nameâs horse. That new girl. Sheâs been riding Diamond. You take Diamond, and Iâll take your horse, Royal. That should put the new girl in her place once and for all.â
During this conversation, Leo the circus manager has not been managing. âWait. Girls! Girls? Iâm not sure thatâs fair to the new girl. Sheâsââ
But Princess and Ruby have gone back inside the tent, no doubt to give the unfortunate new girl the good news.
âThat poor galâs going to be disappointed not getting to ride in center ring tonight,â Fanny says. âSheâs been practicing and practicing.â
I move in closer to the tent. I want to hear that music again. And I admit Iâm curious as to how the new girl will handle the news.
Tina gives me a hard shove with her trunk. âGo on in, Fred. You can tell us whatâs going on.â
I step inside. It takes a minute for my eyes to adjust to the lights. Right away, in the smaller arena, probably the practice arena, I spot Princess and Ruby and another girl dressed just like them.
The third girl is standing on one of the white horses. Her
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