Tiverzina, Olya Demina’s grandmother. When visiting Marfa Gavrilovna, Lara began to notice what effect she had on the boy. Pasha Antipov was still so childishly simple that he did not conceal the bliss her visits afforded him, as if Lara were some sort of birch grove during summer vacation, with clean grass and clouds, and he could express his calfish raptures to her unhindered, with no fear of being laughed at for it.
As soon as she noticed the sort of influence she had on him, Lara unconsciously began to take advantage of it. However, she busied herself with the more serious taming of that soft and yielding nature after several years, at a much later season of her friendship with him, when Patulya already knew that he loved her to distraction and that in his life there was no more turning back.
The boys were playing at the most dreadful and adult of games, at war, and moreover of a sort that you were hanged or exiled for taking part in. Yet the ends of their bashlyks 16 were tied at the back with such knots that it gave them away as children and showed that they still had papas and mamas. Lara looked at them as a big girl looks at little boys. There was a bloom of innocence on their dangerous amusements. They imparted the same stamp to everything else. To the frosty evening, overgrown with such shaggy hoarfrost that its thickness made it look not white but black. To the blue courtyard. To the house opposite, where the boys were hiding. And, above all, to the pistol shots that cracked from it all the time. “The boys are shooting,” thought Lara. She thought it not of Nika and Patulya, but of the whole shooting city. “Good, honest boys,” she thought. “They’re good, that’s why they’re shooting.”
19
They learned that cannon fire might be directed at the barricade and that their house was in danger. It was too late to think of moving inwith acquaintances somewhere in another part of Moscow: their area was surrounded. They had to look for a niche closer by, within the circle. They remembered the Montenegro.
It turned out that they were not the first. The entire hotel was occupied. Many had found themselves in their situation. But being remembered of old, they were promised quarters in the linen room.
They gathered everything necessary into three bundles, so as not to attract attention with suitcases, and began putting off the move to the hotel from day to day.
Owing to the patriarchal customs that reigned in the shop, work went on until the last minute, despite the strike. Then, in the cold, dull twilight, the outside door bell rang. Someone came with claims and reproaches. The owner was asked to come to the door. To soothe these passions, Faïna Silantievna went out to the front hall.
“Come here, girls!” she soon called the seamstresses there and began introducing them in turn to the visitor. He greeted each of them separately with a handshake, feelingly and clumsily, and left, having come to some agreement with Fetisova.
Returning to the big room, the seamstresses began wrapping themselves in shawls and flinging their arms up over their heads, putting them through the sleeves of tight-fitting fur coats.
“What’s happened?” asked Amalia Karlovna, just coming in.
“They’ve tooken us out, madame. We’re on strike.”
“Maybe I … Have I done you any wrong?” Mme Guichard burst into tears.
“Don’t be upset, Amalia Karlovna. We’re not angry with you, we’re very grateful to you. But the talk’s not about you and us. It’s the same now with everybody, the whole world. And how can you go against everybody?”
They all went home, even Olya Demina and Faïna Silantievna, who whispered to the mistress as she was leaving that she had staged this strike for the benefit of her and the business. But she would not be appeased.
“What black ingratitude! Just think how mistaken one can be about people! This girl on whom I spent so much of my soul! Well, all right, let’s say she’s a
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