whispered “heirloom” and “old money,” each of them at anachronistic odds with the modern security system panels and television sets. Someone had set a sweating beer bottle on top of a Queen Anne table and I had discretely removed it, trying to save the old oak the indignity of a ring.
For years I returned whenever I found myself in the area, to admire the gabled roofs and columned porticoes, the dark shutters and diamond-paned windows, to tell myself that when I got caught up at work, I would pull out one of my own manuscripts and finish it. And when that day came—the one with the six-figure advance and movie deal—I would buy a place here where my kids could play on the lawn or ride their Big Wheels in front of the garage, where our two family cars—one of them an SUV and the other an Audi sedan—were parked inside. When the kids were old enough, they could go off to the local private school, complete with its own ice-hockey rink.
I indeed finished the manuscript and sold it in a three-book deal as the Coming Home series. But I never bought the house. The first book sold fewer than 3,500 copies, and the series was cancelled after the release of the second. Had it stayed in print long enough, I was sure it would have done better, but the unsold copies returned too quickly, their shelf space surrendered to higher volume tenants.
Lucian pulled over in front of a stately brick Tudor covered with ivy. I was not surprised to recognize the curved front entry, the door like an upside-down U, the turret to the side of it running up the front of the house, complete with a spire, the steeply pitched roof. It was the same house I had visited nearly two decades ago, the same one that had informed my every image of success, of a life worthy of Aubrey’s expectations. A mark I had fallen short of.
The demon squinted at it through the passenger window, his forearm resting on the steering wheel. I expected him to crow his knowledge of my having come here, to regale me with the story of how I made out with Deanna Blair in an upstairs bedroom, then drop the bomb that she was dead or paralyzed or kidnapped in Colombia. But he was silent. I found it unnerving.
“Why are we here?”
He turned in the seat and regarded me. “I’ve thought a long time about telling you this, gone back and forth on it. I’m not sure about it, even now, but look—we’re here, and I promised to tell you everything.”
He seemed to wait for some indication of my understanding.
“The world is not as you see it,” he said finally. “Look at that house. So grand, so very upper-crust.”
“That it is,” I said warily.
“But here’s the thing: That house, the cars, the old furniture and interior decorating, even the landscaping—this physical world—is nothing but window dressing. Beneath all of that lies another realm altogether.
“The distinction between our two worlds is important for you to understand. It’s important for you to know that beneath the aesthetics of every temporal veneer lies a stratum of infallible truth: a spiritual realm, the world wiped clean of cosmetics.”
Now, as I looked again at that house, the heavy brick began to fall away, translucent as a frame in a ghost movie. And then the two upper levels silently collapsed, caving in the middle so that the stately old furniture, tables, and consoles with their curving legs and claw feet slid and then toppled through the crumbling floors. I had experienced Lucian’s tampering with my brain before in visions and dreams, but this—here, with my eyes bearing open witness to the very thing before me—was disconcerting. I jerked in my seat, but it, too, had become transparent. And then we were no longer seated in a cab but standing on a street that was no longer paved, in front of a yard that was nothing but earth and rock.
In my vision, my waking hallucination, he turned to me. “I’m aware of every detail you’ve admired about that place: the great deck out
For years I returned whenever I found myself in the area, to admire the gabled roofs and columned porticoes, the dark shutters and diamond-paned windows, to tell myself that when I got caught up at work, I would pull out one of my own manuscripts and finish it. And when that day came—the one with the six-figure advance and movie deal—I would buy a place here where my kids could play on the lawn or ride their Big Wheels in front of the garage, where our two family cars—one of them an SUV and the other an Audi sedan—were parked inside. When the kids were old enough, they could go off to the local private school, complete with its own ice-hockey rink.
I indeed finished the manuscript and sold it in a three-book deal as the Coming Home series. But I never bought the house. The first book sold fewer than 3,500 copies, and the series was cancelled after the release of the second. Had it stayed in print long enough, I was sure it would have done better, but the unsold copies returned too quickly, their shelf space surrendered to higher volume tenants.
Lucian pulled over in front of a stately brick Tudor covered with ivy. I was not surprised to recognize the curved front entry, the door like an upside-down U, the turret to the side of it running up the front of the house, complete with a spire, the steeply pitched roof. It was the same house I had visited nearly two decades ago, the same one that had informed my every image of success, of a life worthy of Aubrey’s expectations. A mark I had fallen short of.
The demon squinted at it through the passenger window, his forearm resting on the steering wheel. I expected him to crow his knowledge of my having come here, to regale me with the story of how I made out with Deanna Blair in an upstairs bedroom, then drop the bomb that she was dead or paralyzed or kidnapped in Colombia. But he was silent. I found it unnerving.
“Why are we here?”
He turned in the seat and regarded me. “I’ve thought a long time about telling you this, gone back and forth on it. I’m not sure about it, even now, but look—we’re here, and I promised to tell you everything.”
He seemed to wait for some indication of my understanding.
“The world is not as you see it,” he said finally. “Look at that house. So grand, so very upper-crust.”
“That it is,” I said warily.
“But here’s the thing: That house, the cars, the old furniture and interior decorating, even the landscaping—this physical world—is nothing but window dressing. Beneath all of that lies another realm altogether.
“The distinction between our two worlds is important for you to understand. It’s important for you to know that beneath the aesthetics of every temporal veneer lies a stratum of infallible truth: a spiritual realm, the world wiped clean of cosmetics.”
Now, as I looked again at that house, the heavy brick began to fall away, translucent as a frame in a ghost movie. And then the two upper levels silently collapsed, caving in the middle so that the stately old furniture, tables, and consoles with their curving legs and claw feet slid and then toppled through the crumbling floors. I had experienced Lucian’s tampering with my brain before in visions and dreams, but this—here, with my eyes bearing open witness to the very thing before me—was disconcerting. I jerked in my seat, but it, too, had become transparent. And then we were no longer seated in a cab but standing on a street that was no longer paved, in front of a yard that was nothing but earth and rock.
In my vision, my waking hallucination, he turned to me. “I’m aware of every detail you’ve admired about that place: the great deck out
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