hands would have gone out to the shadowy girl—she caught the motion back, feeling a cool breath as if a rabbit had run over her grave, or as if someone had seen her naked. She felt sometimes like a mother to the world, all that was on her! yet she had never felt a mother to a child this lovely.
The faint wind from the bayou blew in the girl's hair she had shaken out, marking somehow the time going by in the woods. None of her daughters stood this still in front of her, they tore from her side. Or even in the morning when she went to their beds to wake them, they never had a freshness like this, which the soiled cheek, the leafy hair, the wide-awake eyes made almost startling. None of her daughters, even Dabney, had a beauty which seemed to go out from them, as they stood still—every time she had ever said "Stand still," had she hoped for this beauty? In Ellen's mind dimly was that poetic expression
to shed
beauty. Now she comprehended it, as if a key to all the poetry Denis once read had been given to her here in the bayou woods when this girl without pouting or curiosity waited when told.
"Way out here in the woods!" said Ellen. "You'll bring mistakes on yourself that way." She waited a moment. "You're no Fairchilds girl or Inverness girl or Round Bayou or Greenwood girl. You're a stranger to me." The girl did not give her any answer and she said, "I don't believe
you
even know who I am."
"I haven't seen
no pin
" said the girl.
"You're at the end of the world out here! You're purely and simply wandering in the woods. I ought to take a stick to you."
"Nobody can say I stole
no pin.
"
Ellen dropped the old black umbrella and took hold of the young girl's hand. It was small, calloused, and warm. "I wasn't speaking about any little possession to you. I suppose I was speaking about good and bad, maybe. I was speaking about men—men, our lives. But you don't know who I am."
The warm, quiet hand was not attempting to withdraw and not holding to hers either. How beautiful the lost girl was.
"I'm not stopping you," Ellen said. "I ought to turn you around and send you back—or make you tell me where you're going or think you're going—but I'm not. Look at me, I'm not stopping you," she said comfortably.
"You couldn't stop me," the girl said, comfortably also, and a half-smile, sweet and incredibly maternal, passed over her face. It made what she said seem teasing and sad, final and familiar, like the advice a mother is bound to give her girls. Ellen let the little hand go.
In the stillness a muscadine fell from a high place into the leaves under their feet, burying itself, and like the falling grape the moment of comfort seemed visible to them and dividing them, and to be then, itself, lost.
They took a step apart.
"I reckon I was the scared one, not you," Ellen said. She gathered herself together. "I reckon you scared me—first coming, now going. In the beginning I did think I was seeing something in the woods—a spirit (my husband declares one haunts his bayou here)—then I thought it was Pinchy, an ignorant little Negro girl on our place. It was when I saw you were—were a stranger—my heart nearly failed me, for some reason."
The girl looked down at the red glass buttons on her dress as if she began to feel a kind of pleasure in causing confusion.
"Which way is the big road, please ma'am?" she asked.
"That way." Ellen pointed explicitly with her umbrella, then drew it back slowly. "Memphis," she said. When her voice trembled, the name seemed to recede from something else into its legendary form, the old Delta synonym for pleasure, trouble, and shame.
The girl made her way off through the trees, and Ellen could hear the fallen branches break softly under her foot. A fleeting resentment that she did not understand flushed her cheeks; she thought, I didn't give her this little soup. But still listening after her, she knew that the girl did not care what she thought or would have given, what Ellen might have
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