Her parents are hardly ever home, and Hana never answers the door. I’m pretty much the only person who comes over to see her. It’s weird. Hana was always really popular in school—people looked up to her and wanted to be like her—but even though she was really friendly with everybody, she never really got close close with anyone besides me.
Sometimes I wonder whether she wishes she’d been assigned a different desk partner in Mrs. Jablonski’s second-grade class, which is how we first became friends. Hana’s last name is Tate, and we were linked up by alphabetical order (by then I was already going by my aunt’s last name, Tiddle). I wonder whether she wishes she’d been placed with Rebecca Tralawny, or Katie Scarp, or even Melissa Portofino. Sometimes I feel like she deserves a best friend who is just a little more special . Once Hana told me that she likes me because I’m for real—because I really feel things. But that’s the whole problem: how much I feel things.
“Hello?” I call out, as soon as I’m inside Hana’s house. The front hall is dark and cool as always. Goose bumps prick up over my arms. No matter how many times I come to Hana’s house I’m always shocked by the power of the air-conditioning, which hums somewhere deep inside the walls. For a moment I just stand there, inhaling the clean smells of furniture polish and Windex and fresh-cut flowers. Music is pulsing from Hana’s room upstairs. I try to identify the song but can’t make out any words, just bass throbbing through the floorboards.
At the top of the stairs I pause. Hana’s bedroom door is closed. I definitely don’t recognize the song she’s playing—or blasting, really, so loud I have to remind myself that Hana’s house is shielded on four sides by trees and lawn, and no one will sic the regulators on her. It’s not like any music I’ve ever heard. It’s a shrieky, shrill, fierce kind of music: I can’t even tell whether the singer is male or female. Little fingers of electricity creep up my spine, a feeling I used to have when I was a tiny child, when I would creep into the kitchen and try to sneak an extra cookie from the pantry—the feeling right before the creak and squeak of my mom’s footsteps in the kitchen behind me, when I would whirl around, my hands and face coated in crumbs, guilty.
I shake off the feeling and push open Hana’s door. She’s sitting at her computer, feet propped up on her desk, bobbing her head and tapping out a rhythm on her thighs. As soon as she sees me she swings forward and hits a key on her keyboard. The music cuts off instantly. Strangely, the silence that follows seems just as loud.
She flips her hair over one shoulder and scoots away from the desk. Something flickers over her face, an expression that passes too quickly for me to identify it. “Hi,” she chirrups, a little too cheerfully. “Didn’t hear you come in.”
“I doubt you would have heard me break in.” I go over to her bed and collapse on top of it. Hana has a queen-size bed, with three down pillows. It’s like heaven. “What was that?”
“What was what?” She lifts her knees to her chest and swivels a full circle in her chair. I sit up on my elbows and watch her. Hana only acts this dumb when she’s hiding something.
“The music.” She still stares at me blankly. “The song you were blasting when I came in. The one that almost burst my eardrums.”
“Oh— that .” Hana blows her bangs out of her face. This is another one of her tells. Whenever she’s bluffing in poker she won’t stop fussing with her bangs. “Just some new band I found online.”
“On LAMM?” I press. Hana’s music-obsessed and used to spend hours surfing LAMM, the Library of Authorized Music and Movies, when we were in middle school.
Hana looks away. “Not exactly.”
“What do you mean, ‘not exactly’?” The intranet, like everything else in the United States, is controlled and monitored for our protection.
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