her arms above the elbows, gentling her like a fractious mare. "All right, Molly--there's nothing to worry about. I'll handle it."
He started to walk away, paused and turned towards her. "Are you coming down?"
"I've the sheep to see to." Her hands were shaking so hard that she had to clasp them together. "Later--I'll be along later."
He didn't bother to argue and went down the hill on the run, his face grim. The possibilities implicit in what she had said were monstrous and yet, if he was honest, some sort of suspicion had been there at the back of his mind from the moment he had met Sam Crowther and his sinister shadow. He remembered the knob on the bedroom door turning silently in the night and his flesh crawled.
He climbed the stone stile, vaulted the wall and found himself face to face with Youngblood.
"Find anything?" Chavasse said.
Youngblood shook his head. "Not even a shotgun. I know where we are though. Found an old envelope. This is Wykehead Farm, near Settle." He frowned suddenly. "You look excited. Anything happen?"
"I'm not really sure," Chavasse said. "But I've just had a chat with Molly and I've a hunch there could be something very nasty in the woodshed."
"What in the hell are you talking about?"
"No time to discuss it now. Ask her about Saxton and Hoffa yourself and see what you make of it. You get a clear view of the main road from the top. The moment you see Crowther's car, come down and warn me. You'll have plenty of time."
He went down the hill quickly leaving Youngblood standing there, a frown on his face. After a while he turned, climbed the stile and went up the hill.
Although he had developed, and especially in his Navy days a genuine love of the sea, Harry Youngblood was a city animal and he paused to survey the strange twisted landscape with distaste. There was nothing here that appealed to him. Nothing at all, and he climbed on until he reached the spine of rocks on the crest of the hill and looked down to the road below. A truck moved along it, match-box size, but there was no sign of Crowther's old black Ford.
He turned and started towards the hut and suddenly realised that the girl was standing there looking at him, a lamb cradled in her arms. She disappeared inside and when he reached the doorway, he found her crouched down on the floor mixing some kind of bran with milk in a feeding bowl.
"Hello there," Youngblood said. "What happened to your father?"
"He went into the next village with Billy. I came up here to check the sheep."
She had spoken without looking round and he lit a cigarette, aware of a sudden unbearable tightness in his chest that threatened to choke him. She had taken off her coat and the black woollen dress she wore was, like the cotton one of the previous night, a size too small and stretched tightly across her buttocks and thighs.
Outside, thunder echoed faintly and the rain increased with a sudden rush. She glanced briefly, almost furtively over her shoulder and again, he was conscious of that same strange trick of the light as the shadows of the hut smoothed away her plainness, softened the harshness of that strong, ugly face, making her beautiful.
She stood up, reaching to a rack on the wall and Youngblood, his throat dry, dropped his cigarette and moved close, his arms sliding around her, pulling her against him. When he turned her around, she stood there woodenly, her face expressionless, making no move to stop him as his hands crawled across her body.
Five years. Five long, hard years. Forgetting about Saxton and Hoffa and Chavasse's strange behaviour, Youngblood, hot with desire, threw every other consideration to the winds and pushed her back on to the pile of hay in the corner.
It was only when he penetrated her that she came to life, her hands tightening in his hair, her mouth fastening on his with great bruising kisses that were almost frightening in the intensity of their passion.
Below in the valley, Sam Crowther's old Ford turned off the road
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