Dangerous Visions

Dangerous Visions by edited by Harlan Ellison Page A

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Authors: edited by Harlan Ellison
Tags: Science-Fiction
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left from the center and then 12 degrees to the right from the center.
    The fido tocsins. Chib, cursing, thinks of disconnecting it. At least, it's not the intercom with his mother calling hysterically. Not yet, anyway. She'll call soon enough if she loses heavily at poker.
    Open O sesame!
     
    SING, O MEWS, OF UNCLE SAM
     
    Grandpa writes in his Private Ejaculations : Twenty-five years after I fled with twenty billion dollars and then supposedly died of a heart attack, Falco Accipiter is on my trail again. The IRB detective who named himself Falcon Hawk when he entered his profession. What an egotist! Yet, he is as sharp-eyed and relentless as a bird of prey, and I would shiver if I were not too old to be frightened by mere human beings. Who loosed the jesses and hood? How did he pick up the old and cold scent?
     
    Accipiter's face is that of an overly suspicious peregrine that tries to look everywhere while it soars, that peers up its own anus to make sure that no duck has taken refuge there. The pale blue eyes fling glances like knives shot out of a shirtsleeve and hurled with a twist of the wrist. They scan all with sherlockian intake of minute and significant detail. His head turns back and forth, ears twitching, nostrils expanding and collapsing, all radar and sonar and odar.
    "Mr. Winnegan, I'm sorry to call so early. Did I get you out of bed?"
    "It's obvious you didn't!" Chib says. "Don't bother to introduce yourself. I know you. You've been shadowing me for three days."
    Accipiter does not redden. Master of control, he does all his blushing in the depths of his bowels, where no one can see. "If you know me, perhaps you can tell me why I'm calling you?"
    "Would I be dumbshit enough to tell you?"
    "Mr. Winnegan, I'd like to talk to you about your great-great-grandfather."
    "He's been dead for twenty-five years!" Chib cries. "Forget him. And don't bother me. Don't try for a search warrant. No judge would give you one. A man's home is his hassle . . .I mean castle."
    He thinks of Mama and what the day is going to be like unless he gets out soon. But he has to finish the painting.
    "Fade off, Accipiter," Chib says. "I think I'll report you to the BPHR. I'm sure you got a fido inside that silly-looking hat of yours."
    Accipiter's face is as smooth and unmoving as an alabaster carving of the falcon-god Horus. He may have a little gas bulging his intestines. If so, he slips it out unnoticed.
    "Very well, Mr. Winnegan. But you're not getting rid of me that easily. After all . . ."
    "Fade out!"
    The intercom whistles thrice. What I tell you three times is Grandpa. "I was eavesdropping," says the 120-year-old voice, hollow and deep as an echo from a Pharaoh's tomb. "I want to see you before you leave. That is, if you can spare the Ancient of Daze a few minutes."
    "Always, Grandpa," Chib says, thinking of how much he loves the old man. "You need any food?"
    "Yes, and for the mind, too."
    Der Tag. Dies Irae. Götterdammerung . Armageddon. Things are closing in. Make-or-break day. Go-no-go time. All these calls and a feeling of more to come. What will the end of the day bring?
     
    THE TROCHE SUN SLIPS INTO THE SORE THROAT OF NIGHT
     
    —from Omar Runic
     
    Chib walks towards the convex door, which rolls into the interstices between the walls. The focus of the house is the oval family room. In the first quadrant, going clockwise, is the kitchen, separated from the family room by six-meter-high accordion screens, painted with scenes from Egyptian tombs by Chib, his too subtle comment on modern food. Seven slim pillars around the family room mark the borders of room and corridor. Between the pillars are more tall accordion screens, painted by Chib during his Amerind mythology phase.
    The corridor is also oval-shaped; every room in the house opens onto it. There are seven rooms, six bedroom-workroom-study-toilet-shower combinations. The seventh is a storeroom.
    Little eggs within bigger eggs within great eggs within a

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