Dance of the Happy Shades

Dance of the Happy Shades by Alice Munro Page A

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Authors: Alice Munro
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rather ominously complacent smile in the school assembly. I never knew what surprised him; I was not looking like anybody but me; I had an old blouse on and my home-permanent had turned out badly. A few weeks after that he took me out for the first time, and kissed me on the dark side of the porch—also, I ought to say, on the mouth; I am sure it was the first time anybody had ever kissed me effectively, and I know that I did not wash my face that night or the next morning, in order to keep the imprint of those kisses intact. (I showed the most painful banality in the conduct of this whole affair, as you will see.) Two months, and a few amatory stages later, he dropped me. He had fallen for the girl who played opposite him in the Christmas production of
Pride and Prejudice
.
    I said I was not going to have anything to do with that play, and I got another girl to work on Makeup in my place, but of course I went to it after all, and sat down in front with my girl friend Joyce, who pressed my hand when I was overcome with pain and delight at the sight of Mr. Darcy in white breeches, silk waistcoast, and sideburns. It was surely seeing Martin as Darcy that did for me; every girl is in love with Darcy anyway, and the part gave Martin an arrogance and male splendour in my eyes which made it impossible to remember that he wassimply a high-school senior, passably good-looking and of medium intelligence (and with a reputation slightly tainted, at that, by such preferences as the Drama Club and the Cadet
Band
) who happened to be the first boy, the first really presentable boy, to take an interest in me. In the last act they gave him a chance to embrace Elizabeth (Mary Bishop, with a sallow complexion and no figure, but big vivacious eyes) and during this realistic encounter I dug my nails bitterly into Joyce’s sympathetic palm.
    That night was the beginning of months of real, if more or less self-inflicted, misery for me. Why is it a temptation to refer to this sort of thing lightly, with irony, with amazement even, at finding oneself involved with such preposterous emotions in the unaccountable past? That is what we are apt to do, speaking of love; with adolescent love, of course, it’s practically obligatory; you would think we sat around, dull afternoons, amusing ourselves with these tidbit recollections of pain. But it really doesn’t make me feel very gay—worse still, it doesn’t really surprise me—to remember all the stupid, sad, half-ashamed things I did, that people in love always do. I hung around the places where he might be seen, and then pretended not to see him; I made absurdly roundabout approaches, in conversation, to the bitter pleasure of casually mentioning his name. I daydreamed endlessly; in fact if you want to put it mathematically, I spent perhaps ten times as many hours thinking about Martin Collingwood—yes, pining and weeping for him—as I ever spent with him; the idea of him dominated my mind relentlessly and, after a while, against my will. For if at first I had dramatized my feelings, the time came when I would have been glad to escape them; my well-worn daydreams had become depressing and not even temporarily consoling. As I worked my math problems I would torture myself, quite mechanically and helplessly, with an exact recollection of Martin kissing my throat. I had an exact recollection of
everything
. One night I had an impulse to swallow all theaspirins in the bathroom cabinet, but stopped after I had taken six.
    My mother noticed that something was wrong and got me some iron pills. She said, “Are you sure everything is going all right at school?”
School!
When I told her that Martin and I had broken up all she said was, “Well so much the better for that. I never saw a boy so stuck on himself.” “Martin has enough conceit to sink a battleship,” I said morosely and went upstairs and cried.
    The night I went to the Berrymans was a Saturday night. I baby-sat for them quite often on

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