Crossing the Line (Kerry Wilkinson)

Crossing the Line (Kerry Wilkinson) by Kerry Wilkinson Page A

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– the usual soundtrack whenever a division other than their
    Manchester Metropolitan one was mentioned.

‘All right, it’s not like we’re dealing with the Met or anything.’
    Actual boos.
    Jessica grinned. ‘Anyway, one of the lads up north says it’s something that’s been breaking out
    among the gangs – apparently it makes the weapon quicker through the air. In my day it was Rubik’s
    Cubes and Hungry Hungry Hippos, now it’s crack cocaine and ten-year-olds getting each other
    pregnant. Apparently this makes it easier for kids with weaker arms to smack each other over the
    head, plus they can hide it better in their clothes. There’s no specific gang we can tie it to but it’s
    something to bear in mind. Lisa Dawes gave us a description of the attacker but it’s not much use,
    neither is the CCTV.’
    Izzy changed the screen to another still from the camera, showing the hooded figure wearing the
    mask. The A with the diagonal line through it was framed perfectly in the centre.
    ‘This is the logo for Anarchy. You might think that gives us a lead by linking it to various protest
    groups but unfortunately these things are widely available on the Internet.’
    The next slide was of the mask itself, taken from a website.
    ‘The night crew started to put together a list of places where these masks can be bought but stopped
    when they reached a hundred – and that’s just online. We don’t have the staff to begin getting together
    a list of locals who could have bought these so we’re going to have to give it to the media and rely on
    people to call in if they’re suspicious of anyone who owns one.’
    Izzy clicked through a selection of stills from the shopping centre’s CCTV cameras as Jessica
    talked everyone through them. ‘The Bradford Park geeks have been comparing the full-length camera
    shots of the person who attacked Luke Callaghan to the full-length ones we have here. Ask them some
    random fact about Doctor Who in the 1970s and they’ll give you an answer straight away. Ask them to
    match two photographs and they give you a bunch of bollocks about a bunch of procedures. Off the
    record, they say it’s almost certainly the same person. On the record, they’re too busy watching Star
    Trek marathons to give us a direct answer any time soon. Anyway, we’ve got this hooded guy walking
    into the centre via the ground-level car park entrance, heading up two floors and then waiting for
    almost an hour and a half. There are no cameras pointing towards where the attack took place. He
    was likely waiting next to the victim’s van but we don’t know for sure. Shortly after the attack, we
    have him walking out the exact way he came in, still wearing the mask, and then he disappears.’
    With another nod, Izzy picked up the account. Because they were still a DS short and DCI Cole was
    busy getting his daily bollocking from the superintendent and other higher-ups, Jessica was leaning on
    her friend. ‘I’ve been talking to the camera operators around Trafford Park, Eccles and Davyhulme
    but there are no spots of our guy,’ Izzy said. ‘We’ve cross-reffed the ANPR of cars leaving the city
    centre on the morning of the Callaghan attack to anything leaving the Trafford Centre but it’s clear.
    I’ve not been able to find out whether the attacker left the area on foot or in a car.’
    Jessica finished drinking her second mug of tea of the morning. ‘Right, whichever one of you lot
    makes the best teas can stay here – fight it out among yourselves. I’m milk, no sugar. Iz is milk with
    one and the Guv has it black. Don’t ask me why, I’ve got it on good authority that nine out of ten serial killers also have their tea black. Anyway, the rest of you: we’ve nicked some uniforms for a search
    team to check the bins around—’
    ‘Not the bloody bins again?’ Everyone turned to see one of the female constables looking
    particularly pissed off. Jessica didn’t blame her. ‘Sorry,’ the

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