the silence
Of a so-far buried life, looking over four guns
Ready to suck all spirits up like fishes to a net.
Cherish the distance between them and me
But get inside the theatre of what goes on,
Or open the door and tumble into space â
No one would know Iâd gone or where, destroying
The homely panorama and my body.
Death would not burn the spirit but Iâd be off
And out of the map, shoes, tunic and cap looted
By gravity: Hello! as I spin, so glad to know you
But I never will. There, I donât belong,
My place forever looking down and in.
Alone, far back, to face the vanishing horizon squarely on.
Dim as it is, donât go, corrupted by haze
Loving what I cannot reach. The theatreâs anatomy
And madness missed, donât care about a full cast waiting
To come in order of appearance and perform their dreams,
Ambitionâs engine, curtains holding back
Till the planet Lancaster divides the space
And I return over empty bombracks to get born again.
SHYLOCK THE WRITER
Humanity is good to bait fish with,
Salt fish that dries in the throat
And needs vodka to turn it down.
Such human quality pressed
A jackboot onto his vocation.
A mob was set on him whose rage
Needed no stoking.
A writer has eyes, hands, a heart
A pen that sometimes scratches
Like a rose-thorn at a gardenerâs vein.
He borrows words
And lends them out at interest,
Turns from each season and
With no humility or ignorance
Tells a story to keep the world quiet.
DELACROIXâS âLIBERTY GUIDING THE PEOPLEâ
For the first few hundred yards
They knew her as a shirtmaker
Urging them over smoky corpses,
And when they said enough was enough
She climbed the lip of the barricade
To lead them over.
The world
Was impossible to open with a bayonet
That could not stop a cannon-ball in flight:
Nor could her red flag light them
Through a more than human darkness.
Then, whoever she was, she became LIBERTY .
No one knew when, by wonderful inspiration
She stripped off her shirt
And showed her bosom as a reminder
Of what brought them out of darkness.
Liberty, clothe your breasts
With that red flag â
Iâll love you then.
Or let it guide the broken locomotive
Not the mob.
The boy with a pistol â
A cannon-ball took off his leg.
Your breasts gave liberty
But cured his worship.
Now he sells cheap pictures by the Louvre
Of Mona Lisa and The Wreck of the Medusa .
THE ITALIAN WOMAN
An Italian woman talking to her lover
On some far-off ocean
Mellifluously
From a villa in Liguria:
When are you coming back?
Shortwave static gruffed his voice.
I thought it would be soon, she said,
The scent of shrubs around her.
I love you, he said, but Neptune rules.
A sad laugh in her throat:
Yes, I understand,
So goodbye my handsome man,
I love you too.
The click of a telephone put down,
Sea noise rushing back.
Ah, love, I havenât lost you yet.
I love the sad laugh in her throat,
Face and body never to be seen
Nor flowers surrounding her.
I congratulate my rival,
And swing the needle onto other voices.
THE LIBERTY TREE
First of all
The brambles had to be pulled out
By the roots.
With thick gardening gloves
Against the spikes
I burrowed around the tree bole
And clasped them tight
And tugged their stomachs
Out of cosy soil.
It wasnât enough.
I had to walk away
Dragging the whole entanglement
From topmost branches,
Evergreen needles snowing me
As claws protested.
I got them down.
And yanked them loose
But it was slow work
Then cut away the ivy
Broke each brittle snake-branch
From sucker tracks
Halfway up and round the trunk,
Some fingers
More tenacious than an arm.
Next it was the nettlesâ turn
Them I grasped low down;
The taller they were
The easier they came,
Bunches of stings
Cast out to die.
Every parasite has its protection
Stings or prickles
Growing in alliance,
Making it difficult to start.
At last itâs done:
The
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