them in the scale
Of the material and the beautiful;
Are not less complex but less delicate
And less important than these living
Instruments of space,
Whose quiet communication is
With older trees in ships on the grey waves:
An order and a music
Like a writing on the skies
Too private for the reason or the pen;
Too simple even for the heartâs surprise.
II
N EAR E L A LAMEIN
This rough field of sudden warâ
This sand going down to the sea, going down,
Was made without the approval of love,
By a general death in the desire for living.
Time got the range of impulse here:
On old houses with no thought of armies,
Burnt guns, maps and firing:
All the apparatus of manâs behaviour
Put by in memories for books on history:
A growth like these bitter
Green bulbs in the hollow sand here.
But ideas and language do not go.
The rate of the simple thingsâ
Men walking here, thinking of houses,
Gardens, or green mountains or beliefs:
Units of the dead in these living armies,
Making comparison of this bitter heat,
And the living sea, giving up its bodies,
Level and dirty in the mist,
Heavy with sponges and the common error.
1946/ 1946
LEVANT
Gum, oats and syrup
The Arabians bore.
Evoking nothing from the sea but more
And more employ to christen them
With whips of salt and glittering spray,
Their wooden homes rocked on the chastening salt.
Lamps on altars, breath of children;
So coming and going with their talk of bales,
Lading and enterprises marked out
And fell on this rusty harbour
Where tills grew fat with cash
And the quills of Jews invented credit,
And in margins folded up
Bales, gum-arabic, and syrup;
Syrian barley in biffed coracles
Hugging the burking gulf or blown
As cargoes from the viny breath
Of mariners, the English or the Dutch.
In manners taught them nothing much
Beyond the endurance in the vile.
Left in history words like
Portuguese or Greek
Whose bastards can still speak and smile.
After this, lamps
Confused the foreigners;
Boys, women and drugs
Built this ant-hill for grammarians
Who fed upon the fathers fat with cash,
Turned oats and syrup here
To ribbons and wands and rash
Patents for sex and feathers,
Sweets for festivals and deaths.
Nothing changes. The indifferent
Or the merely good died off, but fixed
Here once the human type âLevantâ.
Something fine of tooth and with the soft
Hanging lashes to the eye,
Given once by Spain and kept
In a mad friendship here and sadness
By the promiscuous sea upon this spit of sand.
Something money or promises can buy.
1946/ 1946
GREEK CHURCH: ALEXANDRIA
The evil and the good seem undistinguished,
Indeed all half asleep; their coming was
No eloquent proposition of natures
Too dense for material ends, quartered in pain.
But a propitiation by dreams of belief
A relief from the chafing ropes of thought.
Piled high in Byzance like a treasure-ship
The church heels over, sinking in sound
And yellow lamplight while the arks and trolleys
And blazing crockery of the orthodox God
Make it a fearful pomp for peasants,
A sorcery to the black-coated rational,
To the town-girl an adventure, an adventure.
Now however all hums and softly spins
Like a great top, the many-headed black
Majority merged in a single sea-shell.
Idle thoughts press in, amazing oneâ
How the theologians with beards of fire
Divided us upon the boiling grid of thought,
Or with dividers spun for us a fine
Conniving cobwebâtraps for the soul.
Three sailors stand like brooms.
The altar has opened like a honeycomb;
An erect and flashing deacon like a despot howls.
Surely we might ourselves exhale
Our faults like rainbows on this incense?
If souls did fire the old Greek barber
Who cut my hair this morning would go flying,
Not stand, a hopeless, window-bound and awkward
Child at this sill of pomp,
Moved by a hunger money could not sate,
Smelling the miracle and softly sighing.
1946/
Richard North Patterson
Peter King
Peggy Webb
Robin Shaw
Michael Lewis
Sydney Somers
Kate Sherwood
John Daulton
Ken White
Mandy M. Roth