dispensing it—and she would have the satisfaction of knowing that at least one person in Portland would desperately envy her.
She looked at the wall clock. One-thirty in the morning. She wasn't sleepy. She didn't want to go home and lie awake, staring at the ceiling, with nothing to do but indulge in more self-examination and self-pity. Well, actually, that is what she wanted, because she was in a wallowing mood, but she knew it wasn't a healthy thing to do. Unfortunately, she was without alternatives: weekday, wee-hour nightlife in Portland was a twenty-four-hour doughnut shop.
She was less than a day away from the start of her vacation, and she desperately needed it. She had made no plans. She was just going to relax, hang out, never once look at a newspaper. Maybe see some movies. Maybe read a few books. Maybe go to the Betty Ford Center to take the self-pity detox program.
She had reached that dangerous state in which she began to brood about her name. Holly Thorne. Cute. Real cute. What in God's name had possessed her parents to hang that one on her? Was it possible to imagine the Pulitzer committee giving that grand prize to a woman with a name more suitable to a cartoon character? Sometimes—always in the still heart of the night, of course—she was tempted to call her folks and demand to know whether this name thing had been just bad taste, a misfired joke, or conscious cruelty.
But her parents were salt-of-the-earth working-class people who had denied themselves many pleasures in order to give her a first-rate education, and they wanted nothing but the best for her. They would be devastated to hear that she loathed her name, when they no doubt thought it was clever and even sophisticated. She loved them fiercely, and she had to be in the deepest trenches of depression before she had the gall to blame them for her shortcomings.
Half afraid that she would pick up the phone and call them, she quickly turned to her computer again and accessed the current-edition file. The Press's data-retrieval system made it possible for any reporter on staff to follow any story through editing, typesetting, and production. Now that tomorrow's edition had been formatted, locked down, and sent to press, she could actually call up an image of each page on her screen. Only the headlines were big enough to read, but any portion of the image could be enlarged to fill the screen. Sometimes she could cheer herself a little by reading a big story before the newspaper hit the street; it sparked in her at least a dim glimmer of the feeling of being an insider, which was one aspect of the job that attracted every dream-besotted young person to a vocation in journalism.
But as she scanned the headlines on the first few pages, looking for an interesting story to enlarge, her gloom deepened. A big fire in St. Louis, nine people dead. Presentiments of war in the Mid-East. An oil spill off Japan. A huge storm and flood in India, tens of thousands homeless. The federal government was raising taxes again. She had always known that the news industry flourished on gloom, disaster, scandal, mindless violence, and strife. But suddenly it seemed to be a singularly ghoulish business, and Holly realized that she no longer wanted to be an insider, among the first to know this dreadful stuff.
Then, just as she was about to close the file and switch off the computer, a headline arrested her: MYSTERIOUS STRANGER SAVES BOY. The events at McAlbury School were not quite twelve days in the past, and those four words had a special association for her. Curiosity triggered, she instructed the computer to enlarge the quadrant in which the story began.
The dateline was Boston, and the story was accompanied by a photograph. The picture was still blurry and dark, but the scale was now large enough to allow her to read the text, although not comfortably. She instructed the computer to further enlarge one of the already enlarged quadrants, pulling up the first column
Katie Ashley
Sherri Browning Erwin
Kenneth Harding
Karen Jones
Jon Sharpe
Diane Greenwood Muir
Erin McCarthy
C.L. Scholey
Tim O’Brien
Janet Ruth Young