inside the walls, and to water drip from the long white threads of thousands of rootlets, down through the tiers of plants, into channelsbeneath the floor where it is collected to be resprayed once more, and the Argos hurtles another ten thousand kilometers through the emptiness.
âWill you tell some more of the story, Father?â
âItâs late, Zucchini.â
âJust the part when the witch changes herself into an owl. Please?â
âAll right. But only that.â
âAlso the part where Aethon turns into a donkey.â
âFine. But then sleep.â
âThen sleep.â
âAnd you wonât tell Mother.â
âAnd I wonât tell Mother. I promise.â
Father and daughter smile, playing their familiar game, and Konstance wriggles inside her blanket, anticipation rolling through her, and the roots drip, and it is as if they drowse together inside the digestive system of a huge and gentle beast.
She says, âAethon had just arrived in Thessaly, Land of Magic.â
âRight.â
âBut he didnât see any statues come to life or witches flying over rooftops.â
âBut the maid at the inn where he was staying,â Father says, âtold Aethon that that very night, if he knelt at the door to the room at the top of the house, and peeked through the keyhole, he might see some magic. So Aethon crept to the door and watched the mistress of the house light a lamp, bend over a chest full of hundreds of tiny glass jars, and select one. Then she took off her clothes and rubbed whatever was inside the jar all over her body, head to toe. She took three lumps of incense, dropped them into the lamp, said the magic wordsââ
âWhat were they?â
âShe said, âgoobletookâ and âdynacrackâ and âjimjimsee.âââ
Konstance laughs. âLast time you said it was âfliggleboomâ and âcracklepack.âââ
âOh, those too. The lamp grew very bright, thenâpoof!âwent out. And though it was hard to see, in the moonlight that spilledthrough the open window, Aethon watched feathers sprout from the mistressâs back, from her neck, and from the tips of her fingers. Her nose grew hard and turned downward, her feet curled into yellow talons, her arms became big beautiful brown wings, and her eyesââ
ââthey grew three times as large and turned the color of liquid honey.â
âThatâs right. And then?â
âThen,â says Konstance, âshe spread her wings and flew right out the window, over the garden, and into the night.â
FIVE
THE ASS
----
Cloud Cuckoo Land by Antonius Diogenes, Folio E
Tales of a man unwittingly transformed into a donkey, such as Apuleiusâs well-known picaresque The Golden Ass, proliferated in western antiquity. Diogenes unabashedly borrows from them here; whether he improved any of them remains up for debate. Translation by Zeno Ninis.
As soon as the owl flew out the window, I crashed through the door. The maid opened the strongbox and rummaged among the witchâs jars while I removed every stitch of clothing. I rubbed myself head to toe with the ointment she chose, took three pinches of frankincense, just as I had seen the witch do, and dropped them into the lamp. I repeated the magic words and the lamp flared, just as before, then went out. I closed my eyes and waited. Soon my luck was going to change. Soon I would feel my arms transform into wings! Soon I would leap from the ground like the horses of Helios and soar among the constellations, on my way to the city in the sky where wine runs in the streets and tortoises circulate with honeycakes on their backs! Where no one wants for anything and the west wind always blows and everyone is wise!
From the bottoms of my feet, I felt the transformation begin. My toes and fingers bunched and fused. My ears stretched and my nostrils grew huge. I could
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