painting out of Paris since nineteen six.â
âAnd a short letter from Martin,â she said. âHeâs been having trouble reaching us on the telephone. I thought the damage to the cable had been fixed.â
The earl snorted loudly. âOh, itâs been fixed, all right! I ask for a number in the city and get connected to a fishmonger in Clerkenwell! Of course itâs just like the Irish, isnât it? Sinn Feiners go through all that bloody trouble and risk only to slash a cable serving Marylebone and Regentâs Park! Hardly a devastating blow against the crown, I must say.â
âOdd he should write. I was thinking of him last night. I came across a snapshot in my dresser drawer.â
âOf Martin?â
âNo. A snap Alex sent us from France. She and Ivy Thaxton in front of a hospital tent. Theyâre both in uniform and smart as paint. Ivy was such a pretty girl.â
âYes,â he murmured. âQuite so.â Ivy Thaxton. He recalled her vaguelyâbut then, he had only known her when she had been one of the many housemaids at the Pryory before the war. He had never seen her again after she had left his service to become a nurse, except in a photograph or two that Alex had enclosed in letters. Never had the chance to know her in a different light. His daughterâs servant in Abingdon, her best friend in France. Martinâs wife. All of those events taking place in another worldâthe brief and tragic democracy of the battle zone. âWhat does Martin have to say?â
âOh, nothing very much. He apologizes for having been too busy with his new job to call on us. Would like to drop by this Sunday if weâre home. Iâll tell him to come for dinner.â
âI might go down to the house on Friday.â
âBut youâd be back by Sunday noon, surely.â Her tone implied that she expected him no later than that.
C OATSWORTH REMEMBERED HIMâBUT then, the old butler remembered every face he had ever seen.
âItâs good to see you again, Mr. Rilke.â
âAs it is to see you, Coatsworth. Itâs been a few years.â
âNineteen seventeen, if Iâm not mistaken, sir. At the Park Lane house.â
âYou have a good memory.â
The butler smiled as he took Martinâs panama hat and placed it on the side table in the hall. âMy memory is about the only thing that functions properly these days.â
âYou look just fine to me.â
âAppearances are deceiving, Iâm sorry to say.â He shuffled toward the finely etched glass doors that separated the marble-walled foyer from the main hallway. âHis Lordship is expecting you in the study.â
Martin found the earl measuring gin and French vermouth into a crystal and silver cocktail shaker. A small book lay open beside him on the oak sideboard.
âHello, Martin,â he said, glancing over his shoulder as Martin came into the room. âI hope I have this right. Three parts gin to one part French â¦â He peered down at the book. âStir well with plenty of ice ⦠serve in chilled glasses ⦠add twist of lemon peel, and garnish with an olive before serving. An olive? Whatever for? Itâs an American recipe, of course. Rather heavy-handed with ice, vegetables, and things.â
He stirred the mixture with a long-handled silver spoon and then poured some into two small glasses, handing one to Martin.
âThe new martini cocktail, the book says. Just good old gin and French as far as I can see, except heavier on the gin.â He took a sip. âNot bad. Quite smooth, in fact. I canât for the life of me see how a chunk of ice would improve it. But if youâd prefer â¦â
âOh, no,â Martin said, raising his glass. âThis is fine.â He suppressed a smile as he thought of what the bartender at the American Bar in Paris would have said about lukewarm gin and
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