Circle of Shadows by Imogen Robertson Page A

The most beautiful clothes, such taste, and on such a handsome man. His looks are as remarkable as his talent.’
    Krall looked sideways at Kinkel from under his heavy brows, but it seemed the latter was too lost in admiration to note it. ‘We’re more likely to clap a fiddler who knows a good dance tune than these opera types in Oberbach,’ he grunted. ‘Anyway, this Manzerotti ain’t quite a man, is he?’
    Kinkel smiled. ‘The best castrato singer in Europe here among us. I understand the Duke is delighted.’
    Deep in Krall’s mind another bell rang, softly; another page of English newsprint swam before his inner eye.
    ‘Wasn’t he in London when those folk were murdered at the opera house? Weren’t our English guests caught up in that in some way?’
    Kinkel nodded. ‘Yes, indeed! I believe Mrs Westerman was at the theatre the night Mademoiselle Marin was murdered on stage. It was just before her husband was killed by some French spy. Manzerotti was the toast of the season there.’ He stared off into the air again. ‘They must be acquainted. How delightful it will be, for them to meet again.’
    Krall sucked on his pipe. ‘Delightful indeed.’
    ‘Remarkable!’ Harriet said softly as the cover was removed.
    Adnan nodded. ‘I have been fortunate in the sons of my mother, Mrs Westerman. Sami is an artist. The sculpting of the models and the painting of the features I leave all to him. I find my enthusiasm confined to giving these creatures of ours the power of movement and communication.’
    Harriet looked sceptical. ‘Did I hear you right, sir? Communication? Have you trapped some spirit in the statue?’
    ‘No, madam, there is no – how can I put it? – ghost in this machine. But let me show you.’ Harriet was aware in the background of Sami almost dancing with delight and whispering to Rachel. She was profoundly glad these brothers had been here to offer her sister some refuge, some relief. Sami reminded her of her son when he had some powerful secret to share, and the thought of him both tugged on her sore heart and made her smile.
    They were grouped around the figure of a young boy seated at a wooden desk and dressed like the child of a prosperous family. He would have been perhaps four years old, if living. His head was a natural confusion of blond curls and his eyes were bright blue and glimmering glass. The colouring of his face was very beautiful. Harriet expected that if she touched his cheek it would be warm. In his right hand he held a quill pen. He looked with steady contemplation at the piece of parchment in front of him. Adnan pressed some switch on the underside of the mahogany table and then moved to one side where he could observe both the automaton and Harriet’s reaction.
    After a momentary pause, the boy’s head lifted and, blinking his eyes, he nodded at Harriet, then dipped his quill in the inkpot at his side and put his pen to the paper. His chest rose and fell and he tilted his head to one side as he began to write, then to the other. After a moment he seemed to shift the paper a little to his left and he continued, his chin now tucked into his lace cravat. There was the faintest sound of whirr and click in the air, but the illusion was remarkable. Half of Harriet’s mind told her she was seeing a clever copy of life, but watching it move, breathe and concentrate, half of her protested that this was a living being. The effect was distinctly unsettling.
    ‘This is a masterpiece,’ she whispered, almost expecting the child to complain of the interruption.
    ‘We have only excelled it once,’ Adnan said, watching his creation with affectionate pride, ‘with a walking automaton – and I think we were both a little in love with her before she left us.’ A minute or two passed, and the little boy looked up again and moved his arm away from the page with a nod. Harriet could hear the smile in Al-Said’s voice as he said, ‘Do examine the paper, madam.’
    Harriet approached