Chronospace
turned and watched as the Oberon lifted off. The timeship was little more than an oval shadow as it silently ascended into the overcast sky; for a few moments, they heard the muted hum of its negmass drive, then even that disappeared.
    The night was cool, the crisp air redolent of pine and oak, the grass moist with dew. A short distance away, from the top of a low rise, rose an ancient stone tower, a solitary remnant of the battlements that once surrounded the city in medieval times. Beyond the trees bordering the park, lights glimmered within the windows of nearby houses. All was dark and quiet.
    “Let’s get out here.” Lea shivered within her coat, pulled it more tightly around her. “This place makes me nervous.”
    If he had time, Franc would have lingered here for a little while longer. So much space, so many trees. On the Moon, nature was a luxury deliberately cultivated within subsurface habitats. Here, on Earth at this time, it could be found everywhere, even in the largest of cities. And the night was so full of secrets . . .
    Yet Lea was right. The opera would be ending soon. Like the last act of any great drama, timing was everything.“Very well,” he said. His eyes now accustomed to the gloom, he spotted a nearby gravel path. “This way, I think.”
    Together, they walked out of the park, at last finding an open gate in the high stone fence surrounding the former estate. Stepping out into the mellow glow of a streetlamp, they found themselves on the sidewalk of the Bockenheimer Antge, across the street from the Alte Oper. The opera house loomed before them as a massive Gothic edifice, a grotesque wedding cake made of marble and white granite. Lights gleamed from within high-arched windows, illuminating the statues on its gabled rooftops and the classical bas-relief on its ornate walls. From somewhere deep within the building, they could hear the muted, melodic rumble of an orchestra reaching its crescendo. Wagner, perhaps . . .
    “It’s . . .” Fascinated by the sight of the Alte Oper, Lea searched for the right words. “Beautiful, but in an ugly sort of way.”
    “Something like that, yes.” Franc stepped off the curb, then hastily retreated as an automobile’s headlights caught him in their glare. Its horn bleeped a shrill protest, then a sedan swept past them. He caught a glimpse of a woman’s face stoically regarding them from the passenger side, and he quickly looked away.
    “Come on,” he murmured, taking her arm again. “We’re beginning to look like tourists.”
    Lea smiled at him. “Well, that’s what we are, aren’t we?”
    “Perhaps, but this isn’t a good time or place to be a foreigner.” He cautiously looked up and down the street. Now the music had stopped, and he could make out the staccato clatter of applause. “Come on . . . it’s letting out.”
    They crossed the Bockenheimer Antge just as the first members of the audience emerged from the Alte Oper’s vaulted entrance. Although a few were plainly dressed, most were decked out in formal evening attire. Franc andLea melded with the crowd as it spilled out onto the broad plaza in front of the opera house. Deliberately maintaining a casual pace, they sauntered past the central fountain and, ignoring the taxis parked alongside the Oper Platz, headed for the Cityring.
    In the Middle Ages, Frankfurt had been surrounded by a broad moat flooded by waters diverted from the Main; within the moat were the walls which further protected the city from invading armies. During the eighteenth century, such fortifications were deemed no longer necessary, so the walls were torn down and the moat was filled. Now Frankfurt’s old city was encircled by a narrow park thick with trees, bordered on either side by motorways.
    Arm in arm, Franc and Lea strolled down the cobblestone walkways leading through the center of the mall. The park was dark and densely wooded, its paths illuminated only by the occasional lamp. Every now and

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