city that Nelio was up there on the bakery roof, and that he was still alive. The story he was telling me was a story that belonged to us all.
With the money I had left, I bought a shirt from a street kid. It was cheap and I could feel that it was of poor quality. But I didn't want Nelio to go on lying there wearing the same shirt. It was sweaty and dirty, and I needed time to wash it. When I got back to the bakery, I sneaked at once up to the roof to see if Nelio was still asleep. To my surprise I discovered that a grey cat had curled up at the foot of his mattress. At first I thought of chasing it away because it was probably flea-ridden. But I let it stay. Nelio was sleeping heavily and his forehead was not as hot as it had been at dawn. I sat down near the chimney and looked at him. I still could not decide whether he was a ten-year-old boy or a very old man lying there.
At dusk the cat abruptly got up from the mattress and vanished over the ridge of the roof without a sound, slipping into the darkness. Nelio kept on sleeping. I ate half of the food I had bought at the marketplace and then went down to the bakery to start the night's work. As I supervised the dough mixer's work – he was new and still hadn't learned in what order to mix the flour, eggs, sugar, water and butter – I wondered if I should tell Nelio about what had happened during the day. I was not sure how he would react. Would he be pleased that he was missed? Or would it make him depressed? I also had to admit that above all else I was hoping it might make him tell me who had tried to kill him, and why.
I was convinced that it was not an accidental shooting. A servant of evil, unknown to me, had pointed the gun at Nelio. I thought it might have been the man with the hard, squinty eyes who had followed his tracks, which had led to the city, and who had now found Nelio. But I couldn't really believe it was him. And that wouldn't explain why it had happened on the spotlit stage, and in the middle of the night.
I argued with the dough mixer, who was lazy and uninterested in his work. I threatened to complain about him to Dona Esmeralda. But he only laughed at me and hummed his monotonous tunes, which he made up as he laboured with the flour and water. Finally I was able to send him home; it was then almost midnight. I baked the first loaves and filled the baking pans. When they were in the oven, I hurried back to the roof. A mild breeze was blowing in from the sea. In the distance I could see lightning flashes from a thunderstorm that was moving past.
Nelio was awake. He smiled when he caught sight of me. I gave him the food I had bought and some water, which I mixed with Senhora Muwulene's herbs.
'I slept for a long time,' he said. And I've been dreaming. I've been retracing my steps. I dreamed that I saw Yabu Bata again.'
'Did he find his path?' I asked cautiously.
Nelio looked at me in surprise. 'Why would I ask him that? Yabu Bata was looking for his path in real life. So why would I ask him about it when I met him in a dream?'
Now, a year after the events on the rooftop, after those nights before Nelio died and I was given the strange explanation for everything that had happened, even now I still can't claim to understand Nelio's answer to my question about Yabu Bata's path. I have a feeling that he was trying to tell me something important. But my brain is still not ready to allow me to penetrate all his words. Sometimes I doubt that I will live long enough to experience that moment.
I changed the bandage. When I saw how the wound had grown even darker, I couldn't hide my horror. I thought that I could also sense the faint smell of death already present in the infected wounds.
'I have to take you to the hospital,' I said.
'Not yet,' replied Nelio. 'I'll tell you when it's necessary.'
His words were so resolute that I couldn't bring myself to object. The extraordinary aura of irrefutable naturalness that surrounded Nelio, ever since he
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