Christine Falls: A Novele by Benjamin Black Page A

flinching inwardly at the fatuous sound of it.
    Hackett fairly twinkled. “Dolly?” he said. “Oh, she is, she is.”
    He led the way into the hall, squeezing past two boffins from forensics dusting for prints. Quirke knew them, but could not remember their names; they nodded to him, with that expression forensics always had, po-faced and blank, as if they were covering up a private joke. The living room was a chaos of overturned chairs, spilt drawers, a disemboweled sofa, papers torn and strewn. A guard in uniform and cap, young, with acne and a prominent, triangular adam’s apple, was positioned by the kitchen doorway; he was a little green in the face. Beyond him there was more disorder, indecent in the glow of a single, bare bulb. The smell was so familiar Quirke barely registered it.
    “There she is,” Hackett said, adding with a gleam of irony, “your Miss Moran.”
    She had been tied to a kitchen chair, bound at the ankles with her own stockings and at the wrists with lengths of electric wire. The chair had overturned and she lay on the floor on her right side. She had worked one arm free of its bonds. Quirke was struck by the pose, the flexed knees and upflung arm: another mannequin.
    “You called me at home,” Quirke said, still bending over the corpse with his hands on his knees. “Did the hospital give you my number?”
    Hackett showed the piece of white pasteboard, clipped by its four corners in the hollow of his palm like a conjuror’s playing card.
    “It seems,” he said easily, “you left your calling card, on some previous social visit.”

7

    A YOUNG NUN WITH PROMINENT TEETH OPENED THE DOOR AND STOOD aside and motioned her to enter. At the sight of the long, gaunt room something inside her shrank back, and for a moment she was a child again, quaking on the threshold of Mother Superior’s office. Massive mahogany table, six high-backed chairs that no one had ever sat on, glass-fronted bookcases, a coatless coat rack; in a wall niche a three-quarters-life-sized statue of the Virgin stood disconsolate in pale blue and white, holding between two fingertips and a thumb, in an attitude of dainty misgiving, a large white lily, sign of her purity. At the other end, under a muddy picture of some sainted martyr, there was an antique desk with lamp and leather-bound blotter and two telephones—why two? Somehow, without her noticing, the young nun had left, shutting the door behind her without a sound. She stood in the midst of silence, the child in her arms asleep in its blanket. The trees outside the windows were unfamiliar, or did they only seem so? Everything here seemed strange to her, still.
    Another door, one that she had not noticed, flew open as if a wind were behind it. What entered was a tall nun, high-shouldered as a man, with a narrow, stark, pale face. She came forward quickly, both hands held out, her heavy black habit audibly displacing air, her face smiling and seeming at the same time surprised at itself, as if smiles were strangers to it. This was Sister Stephanus.
    “Miss Ruttledge,” she said, taking Brenda’s free hand in both of hers, “welcome to Boston, and St. Mary’s.”
    She had the usual nun’s musty smell. Brenda could not stop herself recalling the stories that were told at the convent when she was a girl about the sisters being forbidden ever to be naked and having to wear a special sort of swimming costume in the bath.
    “I’m very glad to be here, Sister,” she said, in a voice that annoyed her by its seeming meekness. She was no longer a child, she told herself, and this nun had no authority over her. She drew up her shoulders and stared back stoutly into the woman’s coldly beaming face. “Boston is very nice,” she added. That, too, sounded weak and silly. The baby kicked her in the side through its blanket, as if demanding to be introduced; quite the little miss already. The nun’s brittle smile slid downwards.
    “And this must be the baby,” she