stranger with wide eyes and an expression of terror on her face. For a long time after that she said nothing at all.
This love matured slowly, for like the best fruit it needed time, a change of seasons, the blessing of sunlight and the scent of rain, a series of dawns in which they would walk through the dewy garden among bushes of flowering may, conversations where a single word might suddenly light up the landscape locked in her tender, cloistered heart, when it would be like looking into the past and seeing ruined castles, vanished festivals where traps with gilded wheels rolled down the paths of neat, properly tended gardens past people in brightly colored clothes with harsh, powerful, and wicked profiles. There was in Francesca something of the past. She was fifteen but it was as if she had stepped out of a different century, as if the Sun King had seen her one morning on the lawn at Versailles playing with a hoop covered in colored paper, and had summoned her to him. There was a kind of radiance in her eyes that suggested women of long ago, women who would risk their lives for love. But it was he that had risked his life, he the suitor, the soldier of misfortune, when his old, terrifyingly rich, and disturbingly aristocratic rival pierced his bare chest just above the heart. Francesca watched the duel from an upstairs window. She stood calmly, her unbound hair hanging in black tendrils over her soft youthful shoulders, wearing the nightgown that the duke of Parma had ordered for her from Lyon a few days earlier, for he had personally taken charge of his future fiancée’s trousseau, stuffing heaps of lace, silk, and linen garments into individual boxes. Calmly she stood in the moonlight in a window on the second story, her arms folded across her chest, watching the two men, the old one and the younger one, who were prepared to shed their blood for her. But why? she might have wondered in that moment. Neither had received any favors, neither was taking anything away from the other, but there they were, leaping about in the silvery light, their bodies bare from the waist up, the moonlight flashing off the blades of their swords, the steel chiming like crystal goblets, and the duke’s wig slightly askew in the heat of the contest so that Francesca was genuinely afraid that this noble encounter might result in His Excellency of Parma losing his artificial mane. Later she saw the younger man fall. She watched carefully to see if the loser would rise. She tightened the silk scarf above her breasts. She waited a little longer. Then she married the duke of Parma.
“He wants to see me!” muttered Giacomo. “What does he want of me?” He vaguely remembered a rumor he had once heard that His Excellency had inherited some lands near Bolzano and a house in the hills. He felt no anger thinking about the duke. The man had fought well. There was something lordly and absolute about the way he had whisked Francesca away from the house of dreams, spiders, and bats, and Giacomo could not help but admire his aristocratic hauteur, even now, when he could no longer recollect the precise color of Francesca’s eyes. “The seduction was a failure,” he noted and stared into the fire. “The seduction was a failure, but the failure may also have been my greatest triumph. Francesca never became my lover. It might have been stupid and oversensitive of me but I felt only pity for her. She was the first and the last of those for whom I felt such pity. It might have been a great mistake, maybe even an unforgivable mistake, there’s no denying or forgetting that, but there was something exceptional about Francesca. It would have been good to have lived with her, to drink our morning chocolate together in bed, to visit Paris and show her the king and the flea-circus in the market at St. Germain, to warm a bedpan for her when her stomach ached, to buy her skirts, stockings, jewels, and fashionable hats and to grow old with her as the light
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