them, she delighted in using them.
There was no point in letting them become "dust collectors" as her
gran
had said.
She decided on a white linen cloth and napkins, her Wedgewood, and
grandma's heavy silver flatware, Tiffany's shell and thread dating
to
nineteen-ten. Crystal water goblets and Pilsner beer glasses came
next.
The final touch was a pair of silver candle holders with
pumpkin-colored candles and a centerpiece of autumn flowers.
Satisfied with the effect, she returned to the kitchen. The bacon
and
onion were about done, and she was lining up the rest of the
ingredients, Spudz, applesauce, milk, butter and seasonings, when
the
bell rang.
She went to turn on the intercom, and when she heard the cheerful
sound
of Quentin's voice announcing himself, she said, "Hi! Come on up.
I'm
on the fourth floor. Four-A."
She pressed the buzzer to release the lock and rushed to put on her
flowing smock. After a glance through the peep-hole, she opened the
door to his knock and invited him in.
The small foyer, like the rest of the apartment, was carpeted in
off-white with a deep pile. Opposite the door was a console table
and
beveled mirror.
The table held a pair of brass lamps with parchment shades and a
silver
card tray which Suzanna used for mail. Two ladder-backed chairs with
brocade seats flanked the table. There was also a brass rack where
Quentin hung his coat.
Quentin gave her a quick, friendly kiss in greeting, then said,
"Okay.
I'm at your service. Where do I start?"
"Come on," she said. "I'll take you to my bar."
They had to pass through the living room, where the first thing he
noticed was her piano.
"You play?" he asked.
"Yes, a little," she answered modestly.
He seemed impressed. "You're certainly full of surprises. You never
told me."
"Actually, the subject never came up, and it's not the kind of
information you volunteer. I never thought it would interest
anyone."
"You're wrong. I find it very interesting. Not many people play an
instrument these days."
"I suppose not. It's easier to turn on the radio or CD or iPod, and
the
music's better."
"We'll find out about that later. You will play for us, won't you?"
"If you really want me to, of course."
He looked around the rest of the room. One wall was floor to ceiling
bookshelves with Suzy's favorite books, as well as many with fine
Morocco bindings, also inherited.
The chairs were green and gold brocade, overstuffed and comfortable
looking. The coffee and end tables were polished walnut. On them
were
plants and a few exquisite pieces of porcelain and bisque. The
atmosphere was one of subdued elegance.
"Your apartment is surprising too. Yet now that I think about it, it
is
like you. Calm and serene. It reflects your personality perfectly."
"Thank you. I'm glad you like it. Now, come to the kitchen and get
to
work."
It was a purely functional kitchen, large, with a table and four
chairs
and lots of counter space. Gleaming brass, and copper-bottomed pans
abounded. It was a real cook's kitchen.
Suzanna pointed the way to the liquor cabinet and cocktail shaker,
and
Quentin busied himself with the drinks. He decided on vodka
martinis,
on the rocks or up, with olives or twists.
It was five when Suzanna cut up the knackwurst, bloodwurst and
braunschweiger, and sauteed them in the skillet of bacon and onions.
While it was all browning, she prepared six cups of Spudz, and when
she
was finished, she removed the wursts from the pan and set them to
one
side. She stirred the bacon and onions into the hot applesauce, then
added the Spudz, whipping them in with a wire whisk. She transferred
them to a large casserole, put the wursts on top, covered it and put
the whole thing into a moderate oven to keep hot.
Next she
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