the time Sin says we need to make things better between us. Still, Sinâs face is lit up like a neon beer sign. Sheâs so rarely hot for anyone. I suppose if sheâs happy, itâll make everything easier.
I look at Kat. âWhat do you think?â
âIâm game for anything,â she says. No surprise, really.
âAll right,â I say. âLetâs do it.â
PART II
IOS, GREECE
9
T he ferry in Brindisi is monstrous, and yet theyâve managed to stuff in more passengers than there is space. Weâve already been laughed at when we asked for a sleeper cabin and learned that the rooms with cots were sold out weeks ago. Find a chair or someplace on the deck, weâre told. The Irish guys were smart enough to book ahead, and they offer to share their bunks, but the other people in their cabin refuse to let us stay, assuming, apparently, that the six of us would be having raucous sex all night if we did. We say a temporary goodbye to the guys, promising to meet them at the Ios port.
Kat, Sin and I schlep from one level of the ship to another, struggling with our overstuffed backpacks. The inside of the ferry has a few lounge areas furnished with hideous, chartreuse-colored, faux-suede chairs. These, too, are completely occupied with travelers, most of them young, most of them sleeping, chatting or drinking beers, giving the boat the feel of an international floating college town. A bit stupid of us to choose the month of August to travel, when nearly everyEuropean citizen is off for âholiday,â but it was August or never for me because of the bar exam.
We eventually resign ourselves to sleeping on the deck, but even that is a struggle. The floor is littered with sleeping bags and makeshift campsites. We finally locate a small patch of open space near three large metal cylinders. We look longingly at those people with plush sleeping bags while we spread out our pathetic little beach towels.
Despite the paltry accommodations, I know Iâll have no trouble falling asleep, due to the minimal hours I logged last night. I prop a sweatshirt under my head, happy to be horizontal. The last thing I hear is Kat striking up a conversation with some German boys who look about fifteen.
âWhere you boys heading?â she asks.
âCrete,â one replies.
âReally?â She sounds disappointed.
Â
At 5:00 a.m., we find out the purpose of the metal cylinders weâve curled up next to when these cylinders, otherwise known as steamer horns, sound off in three long, rumbling blasts, louder than anything Iâve ever heard. When they first start to boom, I have no idea what they are. I can barely remember where I am. All I know is that Iâm being terrorized out of a wonderful dream where Francesco and I are kissing on a hardwood bench in one of the ubiquitous Roman churches. I bolt upright, terrified, my heart pounding almost as loudly as the horns. Lindsey sits up, too, and we stare at each other, our hands slapped over our ears, our mouths open in surprise. Kat is trying to untangle herself from the German boy whoâs sharing her meager towel.
Other than messing with the poor peasants on the deck, there seems to be no reason for the horns. We donât dock anywhere. Thereâs no announcement of any kind. When the blasts are over, Kat and Lindsey slump back on their towels, but Iâm entirely too awake.
I walk to the side of the deck, picking my way over the multitude of bodies. When I reach the railing, the sight of the sea overwhelms me. Last night, weâd boarded in darkness, and Iâd almost forgotten that we were on the Adriatic. Now the sun creeps its way from the east, infusing the teal-blue water with a golden-white sheen. The water is peaceful, only a sailboat or two in the distance, no land in sight. The air smells of salt, and itâs cool with an early-morning chill.
Kat joins me in hanging over the railing. The wind whips her
June Gray
John Sladek
Tom Wolfe
T.G. Ayer
Levi Doone
Violet Duke
Michael McCloskey
Mimi Barbour
Jeanne Birdsall
Alice Taylor