Itâs possible that she moved the furniture herself, isnât it?â
âAmelia, Iâve seen it for myself. Itâs up against the wall and every time anybody tries to move it away from the wall it just slides back again. On its own.â
Amelia frowned at me. âI donât understand. The furnitureâs
still
up against the wall?â
âThatâs right. And nobody can shift it Naomi Greenbergâs sitting on this one chair, keeping it anchored by her own weight in the centre of the room, and sheâs not going to let it go for anything. Sheâs been sitting on it for nearly three weeks, God damn it. Eats on it, sleeps on it, wonât let it go.â
âCanât they move her?â
âMichaelâs arranged for regular visits from two different psychiatrists. Theyâre both worried that sheâll have some kind of catatonic fit if they try to move her.â
âSo what on earth can I do? Iâm a sensitive, not an exorcist.â
âNaomi says she saw shadows on the wall ⦠some kind of creature.â
âAnd?â
âI think I may have seen it, too.â
Amelia rearranged the sachets of sugar again. âI have to tell you, Harry, this doesnât sound at all like poltergeist. Poltergeist donât pull things across the room like that; and they certainly donât keep them there. Theyâre very erratic and temperamental. Theyâre the spiritual expression of somebodyâs anger. Nobody stays angry for three weeks, do they? Not unless theyâre a very disturbed character indeed.â
I didnât want to tell Amelia about the way in which Naomi had covered her face with her hands. It was too strongly reminiscent of the events that had taken place at the Sisters of Jerusalem Hospital; especially since Naomi had insisted over and over that I knew what she was trying to describe. It gave metoo deep a feeling of dread to think that there might be any connection. I didnât really believe that there
could
be any connection. But all the same, I didnât want to frighten Amelia and I didnât particularly want to frighten myself, either.
What I had seen at the Greenbergsâ apartment had already been frightening enough.
âAny suggestions?â I asked Amelia.
âIâm not sure,â she said. âIâve never heard about anything like it before.â
âMaybe itâs nothing to do with spirits,â I said. âMaybe itâs just some kind of electrical fault.â
âElectrical fault?â she asked me, in the tone of voice that she probably used when one of her less bright remediais asked her the difference between cartoon characters and real life. I remember we had a kid at school who insisted that Mr Magoo lived at home with him, but I guess thatâs another story.
âI just wanted to make sure that it
wasnât
spirits,â I said. âThatâs why I threw caution and good manners and human decency to the winds and came round to ask you a favour.â
Amelia unfolded a paper napkin and took out a pen. âListen,â she said, âthereâs a man I know who lives on Central Park West. His nameâs Martin Vaizey. Heâs very sensitive, and particularly good at contacting wayward spirits. I think he may be able to help you even better than I could.â
I tucked the napkin in my pocket without reading it. âWell,â I said, âI knew I could count on you.â
âDonât make the mistake of underestimating Martin. Heâs very, very good. Heâs talked to John Lennon a few times. Of course they were practically neighbours.â
âHeâs talked to John Lennon? You mean
after
he was shot?â
Amelia nodded.
âDid he get his autograph?â I asked her.
âHarry â donât underestimate Martin, please. Heâs kindof eccentric, but heâs a brilliant man. Heâs a better sensitive than
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